It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 30, 2020, 03:08 PM
https://www.asoundeffect.com/most-popular-sound-ef...
2021 is almost here, but let's not pass up an opportunity to recognize some of the talented SFX creators who contribute to the site - here are 12 of the most popular libraries from 2020...
December 30, 2020, 03:08 PM
https://filmschoolrejects.com/carol-todd-haynes-co...
In our Color Code column, Luke Hicks chooses a handful of shots from a favorite film in order to draw out the meaning behind certain colors and how they play into both the scene and the film as a whole. For his fifth entry, he digs into Todd Haynes’ Carol.
December 30, 2020, 02:46 PM
https://www.premiumbeat.com/blog/3d-card-effect-af...
Learn how to create a 3D trading card entirely in After Effects. Tutorial includes a free downloadable project file!
December 30, 2020, 02:46 PM
https://www.premiumbeat.com/blog/after-effects-rip...
Want to add punch to your logo animation? Check out this After Effects tutorial showing you how to create a cool ripple effect!
December 29, 2020, 02:08 PM
https://www.premiumbeat.com/blog/5-film-pacing-sec...
Learn more about pacing your story at every stage of production, and how can you use it to keep film and video projects at the right tempo.
December 29, 2020, 02:08 PM
https://beforesandafters.com/2020/12/29/cast-away-...
In the 1990s there was a flurry of interest and developments in digital compositing. Many VFX studios had taken on tools like Quantel’s Harry, Kodak’s Cineon, Wavefront’s Composer or Discreet Logic’s Flame, while a number of node-based solutions, such as Digital Domain’s (later Foundry’s) Nuke and Nothing Real’s (later Apple’s) Shake, further emerged in this era.
December 28, 2020, 06:33 PM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
The Best Title Sequences of 2020 It’s been a year like no other. A year when so many of us turned to screens to connect or, indeed, to disconnect; when we ached for a dollop of entertainment, a moment of escape or a dose of comfort, for something familiar or something completely new. This year, for Art of the Title’s seventh annual list of the year’s top 10 title sequences, we’re doing something new. We reached out to our community to pull in new voices and to expand the team that ...
December 28, 2020, 06:33 PM
https://www.provideocoalition.com/aotc-ma-rainey/
Today on Art of the Cut we’ll be hearing from Andrew Mondshein, ACE, who edited the recently released Netflix production, Ma Rainey’s Black Bottom – a film based on August Wilson’s Pulitzer Prize-winning play. Andrew has had an illustrious career, editing since 1984 on films like Desperately Seeking Susan, What’s Eating Gilbert Grape, The Sixth [...]Read More...
December 24, 2020, 03:15 PM
https://www.provideocoalition.com/art-of-the-cut-p...
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows [...]Read More...
December 23, 2020, 05:40 PM
https://www.aotg.com/virtual-christmas-at-depaul-calls-on-dpa/
Array of Microphones Deliver Total Transparency and Unrivaled Natural Sound for Virtual Performances Featuring School’s Students, Faculty, Staff and Alumni
#dpa microphones#christmas at depaul
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.