It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 23, 2010, 11:11 AM
http://www.postmagazine.com/Press-Center/Daily-New...
Last week, 11-year-old high-end visual effects house Asylum VFX closed its doors. They were another victim of our economic climate as well as, according to owner Nathan McGuinness, runaway visual effects production.
November 23, 2010, 11:08 AM
http://www.studiodaily.com/blog/?p=4852
Senior Colorist Eric Alvarado discusses his role as a colorist with Cliff Charles for DPTV.
November 22, 2010, 08:41 AM
http://www.screeneditors.com/cms/documents/Transcr...
James Manche ASE is the editor of Australia's highly popular TV shows 'All Saints' and 'Packed to the Rafters'. "Editing is a whole lot of things you’ve got to think about all at once and that’s really what the craft is. There’s a whole lot of layers of storytelling, narrative, emotion, thinking about peoples perception of the geography of the situation, the relationships between people, there’s all sorts of things to think about and the craft of it is to nail it and bring all those thin...
November 21, 2010, 11:44 AM
http://splicenow.com/2010/11/20/splice-here-become...
Today, the Splice Here blog officially becomes Splice Now.
November 20, 2010, 03:25 PM
http://outsandins.wordpress.com/2010/11/20/editing...
November 20, 2010, 08:56 AM
http://www.kenstone.net/fcp_homepage/plural_eyes_d...
Is it a application, is it a plug-in, does it pound through your syncing frustrations as a train through a balsa-wood blockade? Actually, it is all these things. Singular Software has come out with PluralEyes, now in its 1.2 version, which provides automatic synchronization with or without time code enabling you to sync your multiple audio and video layers seamlessly.
November 19, 2010, 01:12 PM
https://www.aotg.com/cutting-room-eps-43-walter-murch-interview-pt-1/
In this episode we sit down with Walter Murch, world renowned editor of such films as The English Patient and Cold Mountain. He is also author of "In the Blink of an Eye".
November 19, 2010, 11:41 AM
http://www.screeneditors.com/news_&_events/186.htm
John Wilmot, 2nd Earl of Rochester (April 1, 1647–July 26, 1680) was a friend of King Charles II, and the writer of much satirical and bawdy poetry. He was the toast of the Restoration court and a patron of the arts who famously drank and debauched his way to an early grave, only to earn posthumous critical acclaim for his life's work.
November 19, 2010, 11:39 AM
http://www.urbancinefile.com.au/home/view.asp?a=12...
Having completed the edit on Catch A Fire for Phil Noyce*, Jill Bilcock is ensconced in an edit suite at England’s Shepperton Studios when she picks up the phone to talk about working on The Libertine. A duck had just laid eggs outside the room, having nested in a gutter. Bilcock walks past sheep each morning at 8am to get to the edit room, a windowless, charmless space where the pride of place is occupied by her Lightworks editing gear. "I’m one of the last editors left to use this gear,".....
November 17, 2010, 01:46 PM
http://www.joyoffilmediting.com/?p=3212
Here’s the answer to yesterday’s pop quiz. But first, the quiz, in case you missed it and don’t feel like scrolling.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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