To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Moving Clones Using a Python Matrix Array in C4D

September 28, 2021, 08:42 AM

https://lesterbanks.com/2021/09/moving-clones-usin...

Expresso Mechanic TV looks into the matrix array within a Mograph effector to move clones around with Python. A series of tutorials from Julian Field, the Xpresso Mechanic, offers some essential tidbits for working with Python in

Are we too sensitive about image noise?

September 28, 2021, 08:42 AM

https://www.redsharknews.com/production/item/5626-...

Replay: Feature films of days gone past were really quite grainy compared to the pictures produced by a modern digital camera. We didn't complain too much then and just accepted it as part of the look. Should we be placing less emphasis on noise if it means a more emotionally resonant picture is produced?

Building your own editing PC – a complete guide

September 28, 2021, 08:42 AM

https://www.provideocoalition.com/building-your-ow...

Building my own editing PC was always something I thought was just a little but outside of my abilities, but I was wrong. I’ve always admired those who built their own workstation. I’ve never been a gamer, at least not since the Atari and ZX Spectrum days of the 1980s, so I’d never watched any [...]Read More...

DAM News RoundUp 27th September 2021

September 28, 2021, 08:42 AM

https://digitalassetmanagementnews.org/industry-ne...

A new open-source metadata project has recently been launched. According to the press release, OpenMetadata aims to provide a “single place to discover, collaborate, and get your data right“. We’ve covered the crucial importance of metadata numerous times on DAM News, and we’re pleased to see that an initiative has taken the plunge and chosen to reimagine and consolidate metadata with a ground-up, schema-first approach. The article provides further details on joining the project, along w...

How Fast is Resolve 173 on a M1 Mac

September 28, 2021, 08:41 AM

https://www.4kshooters.net/2021/09/16/how-fast-is-...

The M1 Macs just keep getting better. Software is truly starting to show its potential and getting impressively updated to take advantage of the new chip architecture. Blackmagic Design is getting in early to the M1 chip game with a constant stream of updates for DaVinci Resolve.

Foundation Main Title by Imaginary Forces

September 28, 2021, 08:41 AM

https://www.artofvfx.com/foundation-main-title-by-...

Be sure to watch this beautiful main title sequence made by Imaginary Forces for the Apple TV+ sci-fi series, Foundation...

Director Craig Gillespie Talks Cruella VFX

September 28, 2021, 08:40 AM

https://www.awn.com/vfxworld/director-craig-gilles...

Snarling dogs and moth-infested gowns highlight the film’s 1,850 visual effects shots, supervised by Max Wood, and produced with an eye towards speed and believability.

Leaf sims bamboo sims water sims another day in

September 28, 2021, 08:40 AM

https://beforesandafters.com/2021/09/28/leaf-sims-...

The in-depth coverage of Shang-Chi and the Legend of the Ten Rings at befores & afters continues with this discussion with Scanline VFX’s digital effects supervisor Jessica Harris.

intoPIX extends its range of TICO-RAW IP-cores with smaller architectures supporting a wider range of image sensors and cameras

September 28, 2021, 03:56 AM

https://www.intopix.com/blogs/post/intopix-extends...

Mont-Saint-Guibert, September 28, 2021 – intoPIX, the leading provider of innovative compression solutions, announces today the extension of its range of TICO RAW IP-cores supporting additional pixel per clock architectures to target more devices and more sensor types.

#post production#raw#broadcast#live production#camera#vision effects#intopix#camera raw#editing television#sensor#image processing#medical imaging#automotive advertising#film and television production courses#ip core#tico-raw
JVC CONNECTED CAM Provides COVID-era Solution for Forum Communications

September 27, 2021, 01:58 PM

http://pro.jvc.com/pro/pr/2021/Release/JVC_Forum%2...

GY-HC500SPCU Sports Production and Coaching Camera Ensures Unparalleled Connectivity With Broadcast Quality Images FARGO, ND, SEPTEMBER 27, 2021 — For Fargo, North Dakota-based ABC affiliate Forum Communications (WDAY-TV), the pandemic meant finding new ways to significantly streamline operations while maintaining regular sports and events coverage. With social distancing measures in place, the media company had to alter its workflow in order to still broadcast WDAY’s high school game of...

#jvc professional video#connected cam#sports production

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