To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Are these the faces of the future of film scoring?

August 24, 2016, 04:14 PM

http://variety.com/2016/music/spotlight/ascap-film...

Earlier this month, 12 young composers each got the chance to stand on the 20th Century Fox scoring stage, conducting a 65-piece orchestra playing their own music. It was the culmination of their participation in the ASCAP Film Scoring Workshop, a four-week immersion into the high-pressure, high-profile world of movie music.

Logic Pro X: Scoring An 80's Synth Intro

August 24, 2016, 06:03 AM

https://www.aotg.com/logic-pro-x-scoring-an-80s-synth-intro/

In this special edition of Logic Pro X In Under 5 Minutes, Mary Plummer quickly highlights her process for creating an 80's Sci-Fi Intro inspired by the Netflix original Stranger Things.

Sound Devices Scores for David Husby’s Blockbust

August 23, 2016, 05:24 PM

http://www.broadcastbeat.com/sound-devices-scores-...

ALBERTA, CANADA, AUGUST 23, 2016 — Production Sound Mixer David Husby has had a decade filled with big-name projects, notably X-Men: The Last Stand, Rise of the Planet of the Apes, Tomorrowland, The A-Team, Tooth Fairy, and The Big Year. More recently, he has worked on Star Trek Beyond, Deadpool, and The Solutrean, an upcoming ...

Inside the Sound Design of Stranger Things

August 23, 2016, 05:23 PM

http://www.creativeplanetnetwork.com/news/post/ins...

Stranger Things supervising sound editor Brad North and sound designer Craig Henighan speak to A Sound Effect about how they created the retro, otherworldly sound of Netflix's hit supernatural show.

Sound Devices Scores for David Husby's Sound

August 23, 2016, 10:14 AM

https://www.aotg.com/sound-devices-scores-for-david-husbys-sound/

Field Durability, Increased Inputs and Great Sonic Performance of Sound Devices Recording and Mixing Equipment Proves Key for Sound Mixer

#sound devices
RedShark Review: DPA 4017B condenser mic

August 23, 2016, 09:41 AM

http://www.redsharknews.com/audio/item/3712-redsha...

RedShark Review: The DPA 4017B, a short shotgun mic aimed at high-end video and film production. DPADPA Microphonesshotgun micsAudiomicsMicrophones

Weta Digital Leads the Industry with arrowX

August 22, 2016, 01:21 PM

https://www.aotg.com/weta-digital-leads-the-industry-with-arrowx/

World Leading Visual Digital Effects Facility Confirms its Trust in Miller By Adding arrowX to its Toolkit

#cameras#miller#camera support
Review - Focusrite Red 4Pre Part 3

August 18, 2016, 05:07 AM

https://www.aotg.com/review-focusrite-red-4pre-part-3/

In this video reivew/overview (part 3 of 3) James Ivey from Pro Tools Expert takes a final look at the Focusrite Red 4Pre as a Dante interface. James shows us how he configured the Dante Virtual Soundcard, RedNet Control, Dante Controller and Focusrite Control to route audio around his Mac Pro system. He then gives us a run down of what processing he is using in the mix of this track to get a tight yet live sound.

Pliant Technologies Performs at The Juilliard Scho

August 16, 2016, 10:16 AM

https://www.aotg.com/pliant-technologies-performs-at-the-juilliard-scho/

Tempest Wireless Intercom Systems Installed in Four Theaters at Lincoln Center Complex

#pliant
Unfiltered Audio releases Dent distortion plug-in

August 16, 2016, 09:24 AM

http://www.postmagazine.com/Press-Center/Daily-New...

SANTA CRUZ, CA — Closely following the release of Unfiltered Audio's saturation plugin Indent, the Plugin Alliance (plugin-alliance.com) is rolling out the processor's big brother — a hardcore distortion plug-in called Dent. The new release combines transformative wave-cycle distortion with a matchless modulation system.

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.