To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Furious 7 VFX Team on Digital Doubles for Paul Wal

October 17, 2015, 06:08 AM

https://www.yahoo.com/movies/furious-7-visual-effe...

Paul Walker in ‘Furious 7′ (Universal) By Tim Gray, Variety Just before Universal debuted Furious 7 in April, Vin Diesel deadpanned to Variety that it would win the best picture Oscar. That’s not likely, but the film definitely merits serious awards consideration in all artisan categories: Editing, sound, cinematography, music — and visual effects. When the film opened, the media carried brief descriptions of how the VFX team had successfully re-created some images of Paul Walker, who...

The Art of the Score: DANIEL PEMBERTON

October 17, 2015, 05:47 AM

http://www.blogtalkradio.com/moviegeeksunited/2015...

Composer Daniel Pemberton (The Counselor, The Man from U.N.C.L.E.) discusses his work on the new film Steve Jobs. 

Thank you to our October presenters!

October 17, 2015, 05:47 AM

http://lappg.com/thank-you-to-our-october-presente...

October’s meeting was a great chance to check in with two of our favorite presenters who were back to give us updates.  Al Mooney from Adobe flew down to show us what’s on the horizon for the Adobe Creative Cloud. Al shared some really cool apps including Adobe Capture as well as Premiere Pro, Speedgrade […]

Hans & Clint | Masters At Work

October 17, 2015, 05:47 AM

https://www.aotg.com/hans-clint-masters-at-work/

A view inside the personal studios and creative processes of acclaimed film composers, Hans Zimmer and Clint Mansell.

The Animation Pimpcast #14: One on One with Bruce

October 16, 2015, 12:40 PM

http://www.awn.com/blog/animation-pimpcast-14-one-...

Animation writer Chris Robinson sits down with a variety of animation types to fondle their minds through informal chats about animation, life and whatever else they feel like discussing.

Working with Tags (Alchemy 2 Explained)

October 16, 2015, 12:39 PM

https://www.youtube.com/watch?v=wFehiyNQgno

See how to edit the attributes, comments, and tags associated with presets, as well as how to create, assign, remove, and delete custom user tags.

Alexander Hall on Editing a New Series vs. Editing

October 16, 2015, 12:38 PM

http://www.youtube.com/watch?v=nCMCHfNuz54

EditFest NY 2009 - Alexander Hall Discusses a Scene from the Television Show "The Wire." For more information on Editfest please go to editfest.com. Alex Hall is a director, editor, and producer who has been working in film and television since 1994. He most recently worked on the first season of True Detective for HBO. He had been directing and editing the television series "Treme." Other recent editorial projects include Blue Bloods for CBS and the feature film "The Messenger,"...

SIGGRAPH 2015: Ftrack's Martin Pengelly-Phillips

October 16, 2015, 12:38 PM

http://www.youtube.com/watch?v=mLCStPAQ9xQ

Ftrack's Martin Pengelly-Phillips talks about the product's new API, their mobile app, as well as support of a new, wide range of workflows. http://postPerspective.com

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.