It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 8, 2015, 04:30 AM
https://www.aotg.com/obey-little-resist-much/
The acoustic literature is full of half truths, mostly perpetuated by acoustic product manufactures in order to make their products sound appealing. Products that perform but not at the rates and levels required in today's small rooms. Do not be blind sided by convention and routine. Step back, take a deep breath and do your own thinking.
October 7, 2015, 06:39 PM
https://www.aotg.com/rules-for-effective-storytelling-based-on-pixars/
10 Storytelling techniques that will improve your work
October 7, 2015, 02:18 PM
http://saeditores.org/Novedades/Taller-El-montaje-...
El Centro Cultural Kirchner en conjunto con la SAE organizan el taller El montaje en secuencias de acción y suspenso, dictado por Andrea Kleinman (SAE) (EDA). Orientado a estudiantes de cine y cinéfilos en general, el curso aborda la puesta en escena y el montaje en secuencias de cine de acción y suspenso, para afilar la mirada a la hora de guionar, filmar, montar o simplemente analizar este tipo de secuencias.
October 7, 2015, 12:50 PM
http://designingsound.org/2015/10/celebrating-dogm...
When the topic of restriction first came up I immeadiat […]
October 7, 2015, 09:31 AM
http://www.waterline.tv/index.html
waterline magazine "Scripting with RealFlow" is free a PDF with almost 100 pages. The introduction to Python teaches you how to work with vectors, use RealFlow's scripting editors, differentiate between variables and data types, and create user interfaces.
October 7, 2015, 09:31 AM
http://www.thecredits.org/2015/10/watch-this-conce...
As any film lover knows, there’s not a single moment of screen time that wasn’t conceived of and laboriously created by scores of people. This is especially true for end credits, and it’s extra especially true for Marvel films, where extra scenes and crucial information is often embedded. We’ve all seen the shawarma scene in the credits from 2012’s The Avengers. Title sequences and end credits are the first and last thing you see in a film, and they are the artistic playground of an en...
October 7, 2015, 09:31 AM
http://filmschoolrejects.com/features/12-ways-to-b...
This year has produced three of the highest-grossing films of all-time (Furious 7, Age of Ultron, Jurassic World) and devoted fans have something fun to watch every week. Yet, even with millions of passionate fans driving those blockbusters to immortality, it has never been a worse time to go see a movie.
October 7, 2015, 09:30 AM
http://www.premiumbeat.com/blog/protect-your-proje...
Don't get sued! Protect yourself with these tips for blurring out faces and logos in After Effects.
October 7, 2015, 09:29 AM
http://www.btlnews.com/news/hula-post-production-p...
Hula Post recently provided editorial systems, facilities and support to editor Melissa Kent for her work on Paramount Pictures' new drama Captive. Kent spent six months editing the film at Hula's Burbank facility, followed by an additional two weeks on Paramount Pictures lot in Hollywood. Hula provided Avid workstations and storage at both sites. The post Hula Post Production Provides Editing Facilities for Captive appeared first on Below the Line.
October 7, 2015, 09:29 AM
http://www.premiumbeat.com/blog/quick-tip-audio-sy...
Audio syncing in Premiere Pro CC is an often-overlooked feature, but it can save you a lot of time when editing.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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