It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 5, 2015, 06:32 AM
http://www.premierebro.com/blog/pdfviewer-for-prem...
PDFviewer will be the best utility in your editing arsenal. You can open any PDF file inside the Adobe Premiere Pro interface. This will save you countless hours of switching back and forth to other applications and resizing the Adobe Premiere Pro interface. Great for Scripts, Transcriptions, Storyboards and Script Notes. On top of all that its green. Save a Tree!
#editing#adobe#premiere pro#pdfviewer#pdfOctober 5, 2015, 04:47 AM
http://www.finalcutpro.es/2015/10/video-media-mana...
Desde la aparición de Final Cut Pro X, venimos quejándonos de la ausencia de una herramienta seria de Media Manager dentro del programa. Mientras esperamos a que Apple la incorpore en alguna actualización, tal y como ha venido haciendo con otras carencias del programa, en este vídeo os enseñamos como usar DaVinci Resolve 12 para [...] La entrada VÍDEO: Media Manager en DaVinci Resolve para Final Cut Pro X aparece primero en finalcutpro.es.
October 5, 2015, 04:47 AM
http://designingsound.org/2015/10/new-sfx-librarie...
This is the beginning of a new series to recapitulate e […]
October 5, 2015, 04:47 AM
http://www.redsharknews.com/production/item/2935-r...
Here's another review of the AJA Cion, with a twist - Rakesh Malik examines how it actually performs in real world productions (spoiler: he liked a hire unit so much he placed an order). AJACionReviewproductionCinematographyBlackmagicArriRed Raven
October 5, 2015, 04:46 AM
http://www.creativebloq.com/illustration/tips-nail...
Artist James Gurney explains why composition isn’t about forcing elements into a grid.
October 5, 2015, 04:46 AM
http://www.fxguide.com/featured/life-on-mars-the-v...
On Ridley Scott’s 2012 space adventure, Prometheus, the visual effects team had a post schedule of 34 weeks. By contrast, the director’s newest film with a space theme, The Martian, had only 24 weeks for post after the film’s original release date was brought forward.
October 5, 2015, 04:46 AM
https://labs.chaosgroup.com/index.php/cg-garage-po...
Lon Grohs and I talk to Kim Baumann Larsen, a licensed Architect and 3D artist for 20 years from Norway, about his experience in Virtual Reality. Kim has been working in the VR space since the early 90s. So when the new wave of VR happened a few years ago, he was ready. With all three of us coming from architecture we decided to talk about where we see how VR fits in the architecture world. We talk about all the challenges, different flavors, pitfalls, of this new medium.
October 3, 2015, 06:24 AM
https://www.aotg.com/the-x-files-title-in-after-effects/
A brand new X files season is coming out, and a new trailer is live. I took the opportunity to recreate the titles in After Effects. Enjoy.
October 3, 2015, 06:24 AM
http://postperspective.com/mark-mangini-keynotes-a...
Panels focus on specifics of music, effects and dialog sound design, and immersive soundtracks By Mel Lambert Defining a sound designer as somebody “who uses sound to tell stories,” Mark Mangini, MPSE, was adamant that “sound editors and re-recording mixers should be authors of a film’s content, and take creative risks. Art doesn’t get made without risk.” A sound designer/re-recording mixer at Hollywood’s Formosa Group Features, Mangini outlined his sound design philosophy d...
October 2, 2015, 09:27 AM
http://www.aotg.com/index.php?page=cuttingroom_177
Gordon and Michael sit down to discuss Straight Outta Compton. They touch on bringing the film down from 3+ hours to 2 1/2 hours, the complexity of cutting five key storylines, and working with the footage to get the most out of the acting.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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