To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Editing Spider-Man: Into the Spider-Verse
December 23, 2018, 07:16 AM
https://www.provideocoalition.com/aotc-spiderverse
Robert Fisher Jr. most recently served as lead editor on Sony Pictures Animation’s computer-animated Spider-Man: Into the Spider-Verse, now in theaters. Robert has been a member of the Sony Pictures Animation family since 2009 having worked on both Cloudy with a Chance of Meatballs films and the short, The Smurfs: A Christmas Carol.
Editor Kevin Tent, ACE on Letting Assistants Shine
December 22, 2018, 07:04 AM
https://www.aotg.com/editor-kevin-tent-ace-on-letting-assistants-shine/
Editor Kevin Tent, ACE on giving the chance to let his assistants shine on the film "Downsizing." From the "Inside the Cutting Room with Bobbie O’Steen" panel at Sight, Sound & Story on June 14th, 2018.
When someone says we’re leaving early today
December 21, 2018, 10:10 AM
http://renderplease.tumblr.com/post/181297885985
Filmic adds Log V2 to FilmicPro
December 21, 2018, 10:10 AM
https://postperspective.com/filmic-adds-log-v2-to-...
Filmic has added Log V2 within FilmicPro, its mobile filmmaking tool. Log V2 for FilmicPro offers to 2.5 stops of additional dynamic range for mobile devices. Log V2 enables the newest iPhone XR, XS and XS Max models to exceed 12 stops of total dynamic range at base ISO. Filmic says these results rival those of the Blackmagic Pocket Cinema Camera and the Panasonic Lumix GH5s. Continue reading → December 21, 2018 The post Filmic adds Log V2 to FilmicPro appeared first on Randi Altman's p...
Stitch LA editor cuts first feature doc The Panama
December 20, 2018, 02:02 PM
https://postperspective.com/stitch-la-editor-cuts-...
Stitch LA‘s Weston Cadwell has cut his first feature, The Panama Papers for director Alex Winter. This documentary focuses on the coordination of journalists from around the world, working in secret to expose the largest data leak in history. This was a global corruption scandal involving fraudulent power brokers, the uber-rich, Continue reading → December 20, 2018 The post Stitch LA editor cuts first feature doc The Panama Papers appeared first on Randi Altman's postPerspective.
Trying to take a lunch break in my bay like
December 20, 2018, 02:01 PM
http://renderplease.tumblr.com/post/181272479770
Barry Brown on Editing BlackKklansman
December 20, 2018, 02:01 PM
https://www.goldderby.com/article/2018/barry-alexa...
When Spike Lee sent his longtime editor, Barry Alexander Brown, the script for “BlacKkKlansman” he was immediately “excited, and could see how this could be something pretty interesting.” That may be a bit of an understatement since the film recounts the improbable true story of Ron Stallworth (John David Washington), an African-American police officer who infiltrated the Ku Klux Klan in the late 1970s. Watch our exclusive video interview with Brown above.
Batch Export Clips from FCPX Timelines
December 20, 2018, 10:22 AM
https://www.provideocoalition.com/batch-export-cli...
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how you can export individual clips from a timeline as a batch in Final Cut Pro X.
Acclaimed Editor Anne McCabe, joins Our Next Six W
December 20, 2018, 10:19 AM
http://manhattaneditworkshop.blogspot.com/2018/12/...
MEWShop proudly announces that acclaimed editor Anne McCabe, ACE, will join our January/February 2019 Six Week Intensive.Anne McCabe started in the cutting rooms of Woody Allen, Brian de Palma, and Sidney Lumet. She has collaborated with Director Greg Mottola on several projects, including The Daytrippers, Adventureland, and the award-winning pilot for HBO’s The Newsroom. She also worked closely with Kenneth Lonergan on the Academy Award-nominated film You Can Count On Me, and Mar...
Joe Walker on Cutting Widows
December 20, 2018, 05:39 AM
https://filmmakermagazine.com/106489-joe-walker-st...
“A stroke, and then a slap,” says editor Joe Walker. That’s how director Steve McQueen described the tone he wanted in the opening scenes of Widows. The movie opens with a remarkable sequence, intercutting glimpses of the main characters’ family lives with images from a horrifically bloody heist gone wrong — showing, in effect, how four of the women at the heart of the film become widows. So, for example, we see Viola Davis’s Veronica Rawlings passionately kissing her husband Harry (...
Newest from AOTG.com
-
Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
-
Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
-
Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
Site Links
Tools
Sister Sites
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.