To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Animated Women UK allowing non-members to attend W

November 1, 2020, 01:14 PM

http://www.postmagazine.com/Press-Center/Daily-New...

LONDON — This November, Animated Women UK (www.animatedwomenuk.com) is opening up its Achieve Online Workshops to all women. Previousy only available to members, the career development workshops are now being extended to a larger audience.

Color Grading the Flemish Zombie Movie Yummy

October 31, 2020, 04:13 PM

https://postperspective.com/color-grading-the-flem...

By Randi Altman Just in time for Halloween, we decided to take a closer look at the color grade behind the Belgium comedy/horror film Yummy. It’s the country’s first zombie movie … because every country should have a zombie film of its very own. Yummy follows a young couple who travel to a very questionable Eastern European hospital so the girl can get cosmetic surgery. Continue reading → October 28, 2020 The post Color Grading the Flemish Zombie Movie Yummy appeared first on pos...

Le montage, technique et esthétique #11

October 31, 2020, 04:12 PM

https://journaldunemonteuse.wordpress.com/2020/10/...

Chaque semaine, un extrait du livre Le montage, technique et esthétique. https://www.armand-colin.com/le-montage-technique-et-esthetique-fiction-documentaire-serie-nouvelles-ecritures-9782200627218 Les lieux, les techniques et les moyens de diffusion des œuvres audio-visuelles ne se résument plus aujourd’hui simplement aux écrans de télévision ou de cinéma. On peut produire … Lire la suite →

The Rocky Horror Picture Show (1975)

October 31, 2020, 04:12 PM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“Give yourself over to absolute pleasure.” — Dr. Frank-N-Furter ...

Drive – Postlab’s Virtual Storage Volume

October 31, 2020, 04:12 PM

https://digitalfilms.wordpress.com/2020/10/29/driv...

Postlab is the only service designed for multi-editor, remote collaboration with Final Cut Pro X. It works whether you have a team collaborating on-premises within a facility or spread out at various locations around the globe. Since the initial launch, Hedge has also extended Postlab’s collaboration to Premiere Pro. When using Postlab, projects containing Final […]

ART OF THE CUT WITH Alan Baumgarten, ACE on editin

October 31, 2020, 04:12 PM

https://www.provideocoalition.com/aotc-the-trial-o...

Today we’re talking with Alan Baumgarten, ACE who recently edited The Trial of the Chicago 7, which was written and directed by Aaron Sorkin. Alan was nominated for his first ACE Eddie in 1997. He won an ACE Eddie and an Emmy for Recount. He won an ACE Eddie and was nominated for an Oscar [...]Read More...

The Cinematography of The Haunting of Bly Manor

October 30, 2020, 02:00 PM

https://www.aotg.com/the-cinematography-of-the-haunting-of-bly-manor/

Gordon sits down with cinematographer James Kniest to discuss his work on The Haunting of Bly Manor. Including hiding people in the background, lighting an entire episode with candles, and more!

MY HOLO LOVE: VFX Breakdown

October 29, 2020, 04:59 PM

https://www.artofvfx.com/my-holo-love-vfx-breakdow...

Let's have a look at the work of Korean company Dexter Studios for the Netflix series, MY HOLO LOVE...

Halloween (1978) — Art of the Title

October 29, 2020, 12:49 PM

https://www.artofthetitle.com/title/halloween-1978...

John Carpenter’s menacing theme for Halloween sends some into a panic and some smiling. Composed and performed by the man himself, Carpenter’s influences were Bernard Herrmann and Ennio Morricone, with whom Carpenter worked on The Thing. The opening sequence shares some similarities with a film that Carpenter adores, Roy Ward Baker’s Quatermass and the Pit.

Mercedes-AMG Shot with Pocket Cinema Camera 6K

October 28, 2020, 02:28 PM

https://www.aotg.com/mercedes-amg-shot-with-pocket-cinema-camera-6k/

Blackmagic Design today announced that a social media campaign for the Mercedes-AMG A-Class was shot with Blackmagic RAW on the Pocket Cinema Camera 6K, with editing and grading completed with DaVinci Resolve Studio.

#blackmagic design#davinci resolve studio#blackmagic raw#pocket cinema camera 6k

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