To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Week in Premiere 8/28/15

August 28, 2015, 09:58 AM

http://www.premierebro.com/weekinpr/week-in-premie...

Check out this week's Premiere Pro news and tutorials in #WeekinPr, a weekly digest of trending Premiere Pro Tweets. This Week in Premiere: •Premiere Pro "Now You Knows" •Legalizing color with the Video Limiter effect •Two interviews: the origin and future of Premiere Pro •Smosh and the Creative Cloud suite

#premiere pro#tutorials#news#tips#week in premiere
Use the Correction Deformer to Access Polygons in

August 28, 2015, 09:25 AM

http://lesterbanks.com/2015/08/correction-deformer...

The Correction Deformer in Cinema 4D can be used to work more procedurally with parametric objects. The Post Use the Correction Deformer to Access Polygons in a Cloner Group originally appeared and published on %%BLOGLINK%,by lesterbanks

Tips For Keeping A Long Dialogue Scene Visually In

August 28, 2015, 09:24 AM

http://www.premiumbeat.com/blog/tips-keeping-long-...

No matter how great your writing might be, after a couple of minutes just about any heavy dialogue scene can feel boring. Here’s how to keep things interesting on those longer takes.

Shade VFX Names Lisa Maher Executive Producer

August 28, 2015, 09:24 AM

http://www.studiodaily.com/2015/08/shade-vfx-names...

Shade VFX, a film and television visual effects facility with offices in LA and New York, has just named Lisa Maher executive producer. Maher was formerly business development executive at Shade. She will oversee work in the studio's offices in Santa … more » The post Shade VFX Names Lisa Maher Executive Producer appeared first on Studio Daily.

Double INSOMNIA

August 28, 2015, 09:23 AM

https://www.aotg.com/double-insomnia/

A side by side comparison of the same action scene from both versions of the crime thriller INSOMNIA (the 1997 Norwegian original and the 2002 Christopher Nolan remake).

Ninja Turtles Previs Fight Reel

August 28, 2015, 09:23 AM

https://www.aotg.com/ninja-turtles-previs-fight-reel/

Fight choreography by David Leitch. Cameras and animation supervised by Tim Harrington. Hitman by Kevin MacLeod is licensed under a Creative Commons Attribution license.

Crafting the Killer Chase: The Man From U.N.C.L.E.

August 28, 2015, 05:08 AM

http://www.fxguide.com/featured/crafting-the-kille...

Guy Ritchie is one director who doesn’t mind the odd chase sequence, and in The Man From U.N.C.L.E. he serves up three big ones. In 1963 Berlin, CIA agent Napoleon Solo (Henry Cavill) and unwitting mechanic Gaby Teller (Alicia Vikander) are pursued - in car and on foot - by KGB operative Illya Kuryakin (Armie Hammer) before escaping over the Berlin Wall.

favorite features in CC versions of After Effects:

August 28, 2015, 05:07 AM

http://blogs.adobe.com/aftereffects/2015/08/favori...

In the After Effects CC (12.2) update, we extended the output file name templates feature to include output paths. As part of setting up an output module, you can specify a folder in which to place the output file(s), and this can be a folder that After Effects will automatically create at output time. This helps to keep your outputs organized, and it really helps to prevent you from doing something like accidentally dumping an image sequence onto your desktop because you forgot to point th...

Free 'Pixar in a Box' curriculum goes live on Ka

August 27, 2015, 04:05 PM

http://www.postmagazine.com/Press-Center/Daily-New...

MOUNTAIN VIEW, CA — Pixar in a Box is a new online resource that explores the academic concepts behind Pixar Animation Studios’ creative process. The online curriculum just went live on KhanAcademy.org and includes a series of video lessons, interactive exercises, and hands-on activities that allow students to discover how the academic concepts they learn in school enable Pixar filmmakers to create new worlds, animate unique characters and tell stories through animation. Although designe...

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.