It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 26, 2015, 09:21 AM
http://www.redsharknews.com/post/item/2827-hey-edi...
Jonny Elwyn urges editors to stop fixating on plug-ins and use more of that time and energy on building better stories. EditingEditing TheoryPluginsDavid FincherTony ZhouEvery Frame A Painting
August 26, 2015, 09:20 AM
http://www.slashfilm.com/chappie-visual-effects/
Earlier this summer, we featured a very brief look at the visual effects that helped bring Neill Blomkamp‘s futuristic fairytale Chappie to life. A live performance on set was done with Sharlto Copley (District 9), and then the actor was replaced entirely with visual effects, and now we get to see just how perfectly the effects mirror Copley’s performance.
August 26, 2015, 09:20 AM
http://www.creativebloq.com/web-design/20-websites...
While not as flashy as an HD photograph or the motion of animation, typography is nonetheless an integral part of any design.
August 26, 2015, 09:20 AM
https://www.aotg.com/stargate-taxi-the-behind-the-scenes/
Rosalie Thomass and Peter Dinklage
August 26, 2015, 05:18 AM
https://www.aotg.com/roger-corman-analyzes-the-odessa-steps/
Great 6-minute film analysis of the "Odessa Steps" sequence from Sergej Eisenstein's 1925 film 'Pantserkruiser Potjomkin' by director Roger Corman.
August 26, 2015, 05:18 AM
http://www.filmindependent.org/blogs/know-your-cre...
While some producers and cinematographers may take issue with this maxim, Nancy Kirhoffer, an accomplished post-production supervisor whose credits include Memento, 50/50 and Bernie, makes a compelling case: “Movies are three things: picture, sound and music and two of those happen in post-production.”
August 26, 2015, 05:18 AM
https://www.aotg.com/5-baffling-uses-of-cgi-in-movies/
CGI isn't just for robots anymore, it's also for poop and boobs!
August 26, 2015, 05:18 AM
http://www.creativebloq.com/3d/how-ilm-created-hul...
Marvel Studios' cinematic thrill ride continues with its latest action-packed offering, Avengers: Age of Ultron. The action is simply enormous, with each scene delivering new visual treats; building on the visual effects of the 2012 blockbuster.
August 26, 2015, 05:16 AM
http://news.doddleme.com/blogs/post-production/red...
Red Giant is working to beef up the security infrastructure for many of its online centric apps, and in doing so, may leave users of older versions of their software faced with either upgrading their Link interface, or not being able to sign in and access their accounts.
August 25, 2015, 04:18 PM
http://www.edaeditores.org/homenaje-a-margarita-br...
Esta tarde comunicamos la triste noticia del adiós a Margarita Bróndolo, cortadora de negativos de más de 300 películas del cine nacional, pionera entre las mujeres que se insertaron en la industria cinematográfica en los años 30´ durante la época de oro de los estudios. Comenzó su carrera en el año 1938 en los estudios […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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