It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 25, 2015, 05:05 AM
http://www.techradar.com/news/video/the-science-be...
It's hard to imagine a technology that has had as big an impact on the Hollywood movies of today as Chroma Key Compositing. The technology that allows actors to almost magically be placed onto any set the director can imagine, or even transform the actor into a digital character on screen has become a staple of today's blockbuster movies.
August 25, 2015, 05:05 AM
https://www.aotg.com/gunshot-wound-tutorial/
This is the second video in the wax series - how to create realistic ballistic trauma using nose and scar wax.
August 24, 2015, 04:14 PM
https://www.aotg.com/the-sound-of-kurt-cobain-montage-of-heck/
In this exclusive SoundWorks Collection sound profile we talk with Director Brett Morgen and his sound team including sound designer and re-recording mixer Cameron Frankly and sound and music editor Jon Michaels about their work on the documentary Kurt Cobain: Montage of Heck which is moderated by Michael Coleman from SoundWorks Collection.
August 24, 2015, 12:22 PM
http://www.moviemaker.com/archives/news/five-rules...
Unfortunately, considerably less time—if any—is given to the grueling hours they’ll spend in pricey editing suites, with equally pricey equipment, putting the damn things together.
August 24, 2015, 12:21 PM
http://www.animatorisland.com/what-animation-advic...
Great animation comes from experience. The more you animate, the better you’ll get. Still, there are a lot of helpful things you learn along the way, some of which you discover and immediately think “Why didn’t someone tell me this a long time ago?!”
August 24, 2015, 09:14 AM
http://renderplease.com/post/127483185940
Even when the thermostat has been turned slightly up, I have a blanket, and a space heater going.
August 24, 2015, 09:14 AM
http://www.jaa-editing.com/blog/cinema-4dx.html
4DX cinema is programmed by a South Korean company, building on the older theme-park style immersive experience (I have memories of an Alien 4D experience at a Disney park in which you could feel the simulated breath on the back of your neck as the speakers in the chair implied it was right behind you), but expanded out to mainstream feature films. The chairs move, and various effects of light, water, fragrance, and air surround the audience in complement to the on-screen action. Having r...
August 24, 2015, 09:14 AM
http://manhattaneditworkshop.blogspot.com/2015/08/...
The Open Call for submissions for our 2016-17 fellowship begins today! The online application must be completed by September 30, 2015. There is no fee to apply.The Karen Schmeer Film Editing Fellowship honors the memory of our friend and gifted editor Karen Schmeer. Inspired by Karen's generous nature, the fellowship assists emerging documentary editors by developing their talent, expanding their creative community, and furthering their career aspirations. We work with American Cinema Edi...
August 24, 2015, 09:14 AM
http://postperspective.com/kevin-vale-head-feature...
New York-based Harbor Picture Company has added Kevin Vale as its director of motion picture post production. He has over 51 feature film credits and a decade in the film industry. Prior to joining Harbor, Vale worked as a digital intermediate producer on a range of feature films, including Triple 9 (2015), Freeheld (2015), Noah (2014) and Lee Daniels’ The Butler (2013). Vale was also responsible for overseeing the DI post on Wes Anderson’s Oscar-nominated film Moonrise Kingdom in 2012 ...
August 24, 2015, 09:14 AM
http://www.screeneditors.com.au/edit-fest-l-a/
EditFest Los Angeles, 2015 ASE members Melanie Annan and Christine Cheung were in L.A. for Edit Fest 2015. Once a year the ACE (American Cinema Editors) holds a day long series of panels on the art of editing. It’s an exciting opportunity to hear from some of the best editors in the business. Panel 1: […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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