To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Tim Squyres, ACE Discusses the Upside of Continuit
December 17, 2015, 10:43 AM
http://www.youtube.com/watch?v=S7e0e-2hCWo
112 Original Scores in 2015 Oscar race
December 17, 2015, 10:43 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES – The Academy of Motion Picture Arts and Sciences announced that 112 scores from eligible feature-length motion pictures released in 2015 are in contention for nominations in the “Original Score” category for the 88th Academy Awards (www.oscars.org).
Get Started Fast with Media Composer for High-Res
December 17, 2015, 10:43 AM
https://www.aotg.com/get-started-fast-with-media-composer-for-high-res-5/
Welcome to the third episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. In this video, I will focus on editing in High Res projects specifically; starting with the concept of Color Encoding and FrameFlex adjustments, explaining how to use the Proxy Timeline, as well as looking at stylistic adjustments like LUTs. Finally, I will show you three handy new features in Media Composer.
Creating a 360 Degree Twist Extractor in Maya, Wit
December 17, 2015, 10:43 AM
http://lesterbanks.com/2015/12/39370/
Jorn-Harald Paulsen shows how you can create a twist extractor in Maya that can go way beyond the standard 180 degree flip. The Post Creating a 360 Degree Twist Extractor in Maya, With Nodes originally appeared and published on %%BLOGLINK%,by lesterbanks
When I tell my boss an export can’t be done with
December 17, 2015, 10:42 AM
http://renderplease.com/post/135387161180
My boss is like:
Preparing Meshes in Maya & 3DS for Quixel Suite 2
December 17, 2015, 10:42 AM
http://lesterbanks.com/2015/12/preparing-meshes-in...
Learn how to get your meshes ready the best way possible for use with Quixel Suite 2. The Post Preparing Meshes in Maya & 3DS for Quixel Suite 2 originally appeared and published on %%BLOGLINK%,by lesterbanks
10 Ways to Increase Your Editing Speed
December 17, 2015, 10:39 AM
https://www.rocketstock.com/blog/10-ways-to-increa...
To be completely honest with you, I’m a person who prefers the challenges of the set versus the challenges of the editing room. I’m primarily a director so I’m built that way. Does this mean that I never enter the editing room? Absolutely not. The editing room is where the film is made. Many times I’ve had to edit my own work, work with freelance editors, or even edit for other filmmakers.
KIDS CREATE STAR WARS INSPIRED VFX PLUGINS
December 17, 2015, 10:39 AM
http://videoandfilmmaker.com/wp/index.php/news/888...
long time ago, in a galaxy not unlike this one – actually it was this galaxy and it wasn’t exactly that long ago – a little film called Star Wars was released and it changed the way visual effects (and even sound effects) are made.
Oblique FX Delivers Visual Effects for SicariTitle
December 17, 2015, 09:43 AM
https://www.aotg.com/oblique-fx-delivers-visual-effects-for-sicarititle/
Oblique FX created 123 visual effects shots for Sicario, the latest film from director Denis Villeneuve. Oblique FX, the main visual effects vendor on the project, contributed CG vehicles, set extensions, blood and wound effects, and, in one grisly scene, mutilated bodies hanging from a bridge - all indistinguishable from the live action elements in the film.
#vfxBroadcasters, Post Facilities Depend on EditShare
December 17, 2015, 09:40 AM
https://www.aotg.com/broadcasters-post-facilities-depend-on-editshare/
EditShare XStream EFS sales soar in 2015 – reality TV, editorial agency and public broadcaster migrate infrastructure onto EditShare’s new storage architecture with integrated media management
#post production#editshare#shared storage#media asset management#remote collaboration
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