It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 6, 2015, 05:24 AM
http://www.fcp.co/final-cut-pro/articles/1728-gett...
Wes Plate from Automatic Duck presented his new product Ximport AE at the recent Los Angeles Creative Pro User Group. Wes showed the audience how to get FCPX timelines into After Effects and also recounts some great NLE history. Well worth a watch with your morning latte for half an hour!
October 6, 2015, 05:21 AM
http://www.provideocoalition.com/audio-post-workfl...
This is the third and final article in the post production process for the theatrical feature film War Room which I co-edited with director, Alex Kendrick. This article will walk through the steps from picture lock through the audio editing, sound design and final mix.
October 6, 2015, 05:20 AM
http://www.awn.com/news/framestore-delivers-stella...
Framestore delivers 338 out-of-this-world visual effects sequences for Ridley Scott’s ‘The Martian,’ including the space ship Hermes, CG environments on Mars, and a dazzling ending sequence.
October 6, 2015, 05:20 AM
https://www.aotg.com/jewelery-or-product-shot-lighting-in-maxwell-c4d/
CGI Rendering Jewelery / Product Shot Lighting in Maxwell for C4D by Curse Studio - Part II.
October 6, 2015, 05:20 AM
https://library.creativecow.net/jack_bracer/perfec...
High-quality green screen footage is a luxury that many of us will never have. Your quest for perfect chroma keys from awful green screen footage is nearing its happy conclusion as Bracer Jack shows you exactly how to achieve success using only the tools built into Adobe After Effects.
October 6, 2015, 05:19 AM
http://www.cgmeetup.net/home/creating-photorealist...
In this peek into the Mastering Mountains training course, learn how to make great looking pine trees from scratch.
October 6, 2015, 05:19 AM
http://www.cgmeetup.net/home/how-to-set-up-outside...
Some quick tips on how to set up outside lightning in Maya’s Viewport 2.0.
October 5, 2015, 04:39 PM
https://www.aotg.com/use-video-scopes-to-analyze-video-clips/
With the 2015 release, Adobe massively improved their color correction and grading tools in Premiere Pro CC. For the first time, video scopes and tools that were only available in SpeedGrade are now available in Premiere.
October 5, 2015, 04:38 PM
http://cinefex.com/blog/walk-cinefex-143-extract/
It’s time for another peek into our latest magazine issue, Cinefex 143. Today we’re taking you behind the scenes on one of the tallest tales of the year – The Walk, which chronicles the extraordinary true story of Philippe Petit’s spectacular wire-walk between the twin towers of the World Trade Center.
October 5, 2015, 04:38 PM
https://news.creativecow.net/story/879823
(San Francisco, California--October 3, 2015) RE:Vision Effects, acclaimed effects plug-in industry leader and makers of Academy Award winning software, announces DE:Flicker™ for the OpenFX plug-in hosts Nuke, Vegas Pro, Fusion, HitFilm, Scratch, Natron and Nucoda. DE:Flicker continues to be available for After Effects, Premiere Pro, Final Cut Pro X and Motion, which requires a separate license.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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