To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

2021 Video Workstation Buyer’s Guide

September 1, 2021, 09:31 AM

https://www.provideocoalition.com/2021-video-works...

Buying or upgrading your editing workstation in 2021? We help you navigate the software/hardware landscape with this comprehensive guide. The world of computer technology changes so rapidly that last year’s purchasing advice could be just plain wrong when buying a machine today. So we’re here with an updated guide to Mac & PC hardware and [...]Read More...

Maxon’s Redshift Renderer Now Available as Subscription

September 1, 2021, 09:31 AM

https://postperspective.com/maxons-redshift-render...

Maxon, which creates Cinema 4D and other software solutions for motion designers and visual effects artists, has made its Redshift GPU rendering tool available as a subscription product. Designers using Redshift with Maxon’s Cinema 4D, Autodesk Maya, Autodesk 3ds Max, SideFX Houdini, Foundry Katana and Blender can get started with Redshift or add additional render power for half the price. Continue reading → August 31, 2021 The post Maxon’s Redshift Renderer Now Available as Subscription ...

Must Know Tip! - DaVinci Resolve Project Settings Presets

September 1, 2021, 09:31 AM

https://creativevideotips.com/tutorials/must-know-...

Learn how to set up a preset that includes all your typical project settings for DaVinci Resolve 17, so that you can start a new project with every setting fixed to just how you like to edit! Timeline Resolution, frame rate for both the timeline and playback, video monitoring, proxy file generation, color management, and scratch location for those scratch voiceovers are all part of this quick tutorial on creating Project Setting Presets in Resolve! "save as user default config" will change your ...

How to Auto-Resize and Scale Type in After Effects

September 1, 2021, 09:28 AM

https://lesterbanks.com/2021/08/how-to-auto-resize...

Creative Dojo shows how to make responsive text in After Effects that can auto-resize and scale. There are plenty of instances where you want typography and text in Adobe After Effects to behave dynamically, automatically

How to extract audio from a video series for an audio podcast

September 1, 2021, 09:27 AM

https://www.provideocoalition.com/how-to-extract-a...

Recently, I helped a client learn how to extract audio from his video master for use in an audio podcast of the same show. (Previously, he had been doing it wrong, and it had been suffering.) The first thing that I did was to define all of the obligatory and optional goals involved in this [...]Read More...

Demonic Director Neill Blomkamp Talks Volumetric Capture and VFX

September 1, 2021, 09:27 AM

https://postperspective.com/demonic-director-neill...

By Iain Blair South African director Neill Blomkamp has always pushed the VFX envelope. After beginning his career as a visual effects artist in film and television, he charged onto the international scene with his 2009 directorial debut District 9, a sci-fi thriller with a thinly disguised social commentary about apartheid. Continue reading → August 31, 2021 The post Demonic Director Neill Blomkamp Talks Volumetric Capture and VFX appeared first on postPerspective.

This was once essential to post production, and we bet you've never heard of it!

September 1, 2021, 09:26 AM

https://www.redsharknews.com/production/item/6524-...

Replay: Rubber Numbering, those words will either evoke a twinge, possibly a tear, of nostalgia or a baffled shrug. It might sound like a relic from Britain’s colonial days, but it was neither made of rubber nor meant to enumerate it. It was, however, once an essential part of film post production.

After Effects Roundup August 2021

September 1, 2021, 09:26 AM

https://www.provideocoalition.com/after-effects-ro...

Emery Wells announced that Frame.io Is Joining Forces with Adobe — “this $1.275B deal will allow us to continue our mission of transforming and creating the future of collaborative video workflows.” He continued: “Our joint mission with Adobe will be to continue building Frame.io with expanded resources, while continuing to support a broad ecosystem of [...]Read More...

The battle for realism: The evolution of realtime 3D graphics

September 1, 2021, 09:26 AM

https://www.redsharknews.com/the-battle-for-realis...

It’d be easy to get the impression that realtime 3D is really coming of age. For a long time, all computer graphics looked like – well – Tron, at best, and often not nearly as slick.

Editing Mare of Easttown: Emmy-Nominated Amy Duddleston

August 31, 2021, 08:56 AM

https://postperspective.com/editing-mare-of-eastto...

HBO’s limited series Mare of Easttown, starring Kate Winslet as a Pennsylvania detective whose professional and personal life become intertwined, was nominated for 16 Emmy Awards. It was compelling television that kept people coming back week after week, trying to figure out who did the murdering. Mare of Easttown was executive produced by Craig Zobel, Continue reading → August 27, 2021 The post Editing Mare of Easttown: Emmy-Nominated Amy Duddleston appeared first on postPerspective.

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