To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

practical effects of The Last Witch Hunter

October 3, 2015, 06:22 AM

http://www.hitfix.com/harpy/behind-the-practical-e...

Back in November, I visited the set of “The Last Witch Hunter” with several fellow entertainment journalists. Justin Rawlins of Fractured Effects was on hand to walk us through the extensive — and confidential — book of concept art and how his team helped translate dreams into reality.

Toy Story: Joe Ranft Storyboard Pitch

October 2, 2015, 12:58 PM

https://www.aotg.com/toy-story-joe-ranft-storyboard-pitch/

Toy Story co-writer Joe Ranft pitches a memorable scene for the 1995 computer-animated film.

Ant-Man - Cinefex 143 Extract

October 2, 2015, 12:57 PM

http://cinefex.com/blog/ant-man-cinefex-143-extrac...

To celebrate the launch of Cinefex 143, we’re treating you to a sneak preview of all the articles inside. First up is Microcosmos, Joe Fordham’s extensive look at the effects of Marvel’s big (or is that little?) summer hit, Ant-Man.

How to Shoot, Edit, and Upload 360-Degree Videos

October 2, 2015, 12:57 PM

http://www.premiumbeat.com/blog/how-to-shoot-edit-...

Get ahead of the curve by learning how to produce 360-degree content for mobile devices and VR headsets. Here are the tools you need to shoot, edit, and upload 360-degree videos.

Transcript: Digital Production BuZZ – October 1,

October 2, 2015, 12:57 PM

http://www.digitalproductionbuzz.com/2015/10/trans...

GUESTS Randi Altman, Industry Analyst and Editor, postPerspective Jayse Hansen, Freelance Holograph, HUD and fictional UI Designer Jonathan Handel, Entertainment/Technology Attorney & Labor Reporter, TroyGould and The Hollywood Reporter Jessica Sitomer, President, The Greenlight Coach The post Transcript: Digital Production BuZZ – October 1, 2015 appeared first on Digital Production BuZZ.

Forbes Examines Modern Sound Design with Pro Sound

October 2, 2015, 12:57 PM

http://www.prosoundeffects.com/blog/forbes-examine...

In a recent Forbes article, author Nick Messitte spoke with Team PSE about the role sound effects libraries play in the sound design industry. The article examines the current state of sound libraries with Pro Sound Effects as the focal point. Messitte is familiar with the PSE Library, stating: “…I myself have used ... The post Forbes Examines Modern Sound Design with Pro Sound Effects appeared first on Pro Sound Effects.

Video Tutorial: Using StreamStar for Slow-Motion a

October 2, 2015, 12:56 PM

http://www.videoguys.com/blog/video-editing/video-...

Streamstar live streaming and production software and kits allow you to set up your own DIY live streaming workstation or laptop. The Streamstar software is very robust and feature rich. In this tutorial you’ll learn how to use the Replay & Slow-Motion features for your live sports and action productions Streamstar – Replays and Slow-Motion Read More The post Video Tutorial: Using StreamStar for Slow-Motion and Replays appeared first on Videoguys Blog.

Big things afoot for EVE Audio

October 2, 2015, 12:56 PM

http://www.audiomediainternational.com/recording/b...

German manufacturer EVE Audio has quickly risen up the ranks and made a name for itself in the monitor market since its first steps in 2011. In just four years, the company has moved from entry level to build a network of over 50 distributors globally, and with an ever-widening product range for both broad and niche applications covering studio and home recording, post production and more, the company is keen to draw attention to the new arrivals in its offering.

Avid Media Composer 101, Part 14: Export Settings

October 2, 2015, 12:56 PM

http://news.doddleme.com/blogs/post-production/avi...

In part one of our look at Non Same As Source exports in Avid Media Composer, we took a look at the most obvious settings you’ll need to adjust, which are the general export settings.

James Miller's DeLUT Sets: Killer Cinematic 3D LUT

October 2, 2015, 12:56 PM

http://news.doddleme.com/blogs/post-production/jam...

3D LUTs are all the rage these days for the DSLR and small form camcorder (as well as the large body cameras), and for good reason. The beauty of a good set is a non-destructive way to manipulate your image from a standard, mundane look, to something far more cinematic, with a very simple process.

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