To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

5 Ways to Make Sure You DON’T Get Hired

June 18, 2015, 01:00 PM

http://www.productionhub.com/blog/post/5-ways-to-m...

As a national video production company, we are always on the lookout to hire experienced cinematographers and editors.  We are sent dozens if not hundreds of reels and applications every day, and we sift through each and every one to find the best of the best.  Over the years, we have noticed five red flags that signal that an applicant would not be a good fit for our company.

The 2015 release of Adobe Creative Cloud is here

June 18, 2015, 12:59 PM

http://blogs.adobe.com/creative/2015-creative-clou...

Since launching Creative Cloud in 2012, our vision has been to give creative professionals everything they need for a connected creative process. The 2015 release of Creative Cloud is a huge step forward, delivering on our vision of a creative platform with deep connections between the creative industry’s most complete family of mobile apps, and powerful editions of our Creative Cloud desktop tools – enabling the software you rely on to work seamlessly, across desktop and mobile devices....

Morph Cut – Tips & Tricks for Best Results

June 18, 2015, 12:59 PM

http://blogs.adobe.com/premierepro/2015/06/morph-c...

Morph cut is a very powerful new Video Transition in Premiere Pro CC 2015. It enables users to create polished interviews by smoothing out distracting jump cuts without cross-dissolves or cut away footage. To get the most out of this new and exciting feature, here are some best practice tips as well as some advice on what to expect when using Morph Cut in the real world. Similar to Adobe Photoshop’s Content-Aware Fill feature, users will need to be selective and understand when Morph Cut...

Cinedeck Releases 4.5 Update

June 18, 2015, 12:59 PM

http://news.doddleme.com/equipment/cinedeck-releas...

Cinedeck has released version 4.5 of its software and announced beta testing for the next version, 4.5.1. In 4.5, users will get File-based insert and assemble edits, 32-channel audio support, and a few other features, while the Beta program of 4.5.1 will be testing 4K support at 60 fps. There’s a lot going on here that should keep Cinedeck users busy for quite awhile. Let’s take a look.

Free Plugin - A1TriggerGate - Logic Pro Expert

June 18, 2015, 12:58 PM

http://logic-pro-expert.com/logic-pro-blog/2015/06...

Alex Hilton from Germany has released A1Triggergate, a sequenced gate plugin that’s nice for chopping up your audio. There are many sequenced and rhythmic gates out there, but nothing really satisfied Alex. So he coded his own plugin. Alex is a good lad.

BIS: Making of by BUF

June 18, 2015, 12:58 PM

http://www.artofvfx.com/?p=12406

Cool making of by BUF about their work on the french movie BIS...

Why Pixar Almost Cut The Best, Saddest Scene Of Up

June 18, 2015, 05:50 AM

http://www.cinemablend.com/new/Why-Pixar-Almost-Cu...

The habitual manipulators of our emotions at Pixar are readying the release of this weekend’s Inside Out, showcasing psychologically innovative internal storytelling. In the run up to that debut, though, one of the new film’s co-directors has dished on one of the company’s most critically devastating moments in 2009’s Up, revealing that the famous scene was almost cut from the movie!

An Interview with Sound Designer Mark Edward Lewis

June 18, 2015, 05:50 AM

http://www.asmp.org/strictlybusiness/2015/06/an-in...

For over 25 years, Mark Edward Lewis has worked on writing and producing musical scores, re-recording mixing, developing sound design, editing, writing and directing. Mark is currently serving as an instructor on the MZed Sound Advice Tour with Frank Serafine. He took a well-deserved break from his busy teaching and production schedule to answer our questions. ~Judy Herrmann, Editor

FREE eBook Excerpt – Character Development: What

June 18, 2015, 05:49 AM

http://masteringfilm.com/free-ebook-excerpt-charac...

An e-book excerpt from the soon to be published book Anatomy of a Premise Line: How to Master Premise and Story Development for Writing Success by Jeff Lyons. Character Development: What They Don’t Teach You All fictional supporting characters fall into three basic categories, and writers need to understand these categories BEFORE they start writing....

Sync Sound owners sell Digital Cinema to Warner Br

June 18, 2015, 05:49 AM

http://postperspective.com/sync-sound-owners-sell-...

This allows the NYC-based audio post house to strengthen its core focus: television. By Randi Altman Warner Bros. Studios now has a permanent audio post-production presence in New York City, following their purchase of Digital Cinema LLC from owners Ken Hahn and Bill Marino of Sync Sound. Sync Sound had been an audio post-production institution in New York since opening in 1984, working heavily on television over the years on such classics as 30 Rock, Pee-Wee’s Playhouse, Homicide, The ...

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