It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 8, 2015, 04:12 PM
Recently Alf has completed an epic 6 month journey to complete his own parody short film (trailer) called Dawn of the planet of the zombies and giant killer plants on some serious acid (phew!), entirely by himself. Utilizing Maya, Redshift, and various other tools to render the entire 3 minute piece solo on a single machine.
June 8, 2015, 04:11 PM
http://www.edaeditores.org/miguel-perez-sae-recibe...
Por su excelencia como maestro, el CILECT (Asociación Internacional de Escuelas de Cine y TV) prestigioso organismo que reúne a más de 160 escuelas de 60 países, ha decidido honrar a Miguel Pérez, gran maestro de generaciones de montajistas argentinos, miembro fundador de SAE y Socio Honorario de EDA con el CILECT Teaching Award 2015 en reconocimiento a su […]
June 8, 2015, 04:11 PM
http://www.postmagazine.com/Press-Center/Daily-New...
CULVER CITY, CA — VFX and design house Artemple-Hollywood (www.artemplehollywood.com) produced all of the visual effects featured in the new Warner Bros. film Entourage. The studio completed more than 150 VFX shots, many of which involved crowd duplication, tracking and compositing, CG elements, and 3D matte paintings.
June 8, 2015, 04:10 PM
http://seekingalpha.com/article/3243226-dreamworks...
DreamWorks has struggled to turn an operating profit in recent quarters, let alone positive net income. Is this a reflection of poor execution or a poor business model?
June 8, 2015, 12:24 PM
http://lesterbanks.com/2015/06/rendering-hair-with...
Getting started rendering Cinema 4D Hair with Octane Render
June 8, 2015, 12:23 PM
http://collider.com/mad-max-fury-road-featurette-j...
Warner Bros. has released a new Mad Max: Fury Road featurette, which focuses on composer Junkie XL, who explains his process for creating the film's score.
June 8, 2015, 09:43 AM
http://saeditores.org/Novedades/Miguel-Perez-SAE-o...
Miguel Pérez (SAE) fue distinguido con el Premio a la Docencia que otorga la Asociación Internacional de Escuelas de Cine y Televisión, CILECT (Centre International de Liaison des Écoles de Cinéma et de Télévision) como una forma de reconocer la excelencia en la pedagogía en cine y televisión...
June 8, 2015, 09:42 AM
http://renderplease.com/post/121027929520
June 8, 2015, 09:42 AM
http://manhattaneditworkshop.blogspot.com/2015/06/...
Sight, Sound & Story - Bill Pankow, ACE and Jerry Greenberg, ACE on "Dressed to Kill." For more information on "Sight, Sound & Story" go to www.SightSoundandStory.com.
June 8, 2015, 04:58 AM
http://www.definitionmagazine.com/journal/2015/6/8...
The Mad Max: Fury Road shoot was long and arduous and eventually lost a dimension when 3D was delayed to a post process. The DI became a huge eight month process and was much more than a colour statement.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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