It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 1, 2020, 01:36 PM
https://deadline.com/2020/06/editors-guild-address...
Just when you thought that guidelines for the film and TV industry’s safe return to work were in place and ready to implement, Cathy Repola, executive director of the Editors Guild, IATSE Local 700, says that those protocols “are still in the works.”
June 30, 2020, 01:27 PM
https://www.allanmckay.com/253-2/
Marc Rienzo is a Director, VFX Supervisor and Artist. He has over 20 years of experience of working in visual effects, including for studios like Marvel, Disney, ILM, Weta Digital, Digital Domain, Sony Imageworks, and PDI Dreamworks. He’s been a creative Nuke Artist for 18+ years in both film and commercials.
June 30, 2020, 01:26 PM
https://www.premiumbeat.com/blog/how-to-establish-...
Creative color grading can change the storyline and create a clear visual juxtaposition between good and bad, rich and poor, success and failure.
June 30, 2020, 01:25 PM
https://www.screeneditors.com.au/machine-qa/
The compelling documentary 'Machine: The True Power of Artificial Intelligence' is screening during July on SBS On Demand. https://www.sbs.com.au/ondemand/video/1750613059904/machine-artificial-intelligence Watch 'Machine' at your leisure, and then join a Zoom Q&A session where Jane St Vincent Welch ASE will chat with Editor Scott Walmsley, Assistant Editor Jordan Swioklo and DOP Anna Howard. Sunday 19th July at 3pm […]
June 30, 2020, 01:25 PM
https://journaldunemonteuse.wordpress.com/2020/06/...
Mon cher journal, J’ai laissé passer le temps, pourtant tu « regroupes » les deux passions qui désormais m’animent : l’art d’écrire et l’art de monter. Actuellement en formation à l’hôpital Saint-Anne pour devenir art-thérapeute, je continuerai de promouvoir les lettres de … Lire la suite →
June 30, 2020, 01:25 PM
https://www.youtube.com/watch?v=KdlRNidvpj4
When the professionals speak, we better listen, especially if we are fans of the movies they worked on. In this short video you will understand the thought process of Tom Cross, the editor of "Whiplash" and "La La Land", when he works on a movie.
June 30, 2020, 01:25 PM
https://www.artofvfx.com/westworld-season-3-vfx-br...
German studio RISE presents their work on some SHOCKING sequences from the third season of WESTWORLD...
June 30, 2020, 01:24 PM
https://beforesandafters.com/2020/06/30/the-apollo...
Ron Howard’s Apollo 13 turns 25 this week. The VFX Oscar-nominated film was one of Digital Domain’s landmark early calling cards, full of model and miniature effects and a wealth of nascent CG imagery and digital compositing created by the then-new studio.
June 29, 2020, 03:00 PM
https://www.aotg.com/sandwich-uses-pocket-cinema-camera-6k-and-resolve/
Blackmagic Design today announced that Sandwich used Pocket Cinema Camera 6K, Blackmagic RAW and DaVinci Resolve Studio to shoot and grade a new online spot for Slack. The project was finished using Lunchbox by Sandwich, an exciting new distributed production service that allows live action spots to be created remotely.
#blackmagic design#davinci resolve studio#blackmagic raw#pocket cinema camera 6kJune 29, 2020, 01:12 PM
https://www.premiumbeat.com/blog/lgbtq-films-and-f...
Let's take a look at a few films, TV shows, and series responsible for evoking change, and the ones behind the camera who broke that barrier.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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