To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

CodeBook – The Post Production Database Project

April 26, 2015, 07:47 AM

http://dougluberts.com/codebook-post-production-da...

A few months ago I started working on a project that I’ve been meaning to jump into for some time. It’s called CodeBook, and is (at least in the prototype stages) a FileMaker database system designed for use across Production and Post.

Behind The Making of Avengers: Age of Ultron

April 26, 2015, 07:45 AM

http://behindvfx.com/post/117390540935/behind-vfx-...

The Art and Science of Visual Effects and Filmmaking | Behind Visual Effects...

Thomas Estrada - Animation Insider Interview

April 26, 2015, 07:45 AM

http://www.animationinsider.com/2015/04/thomas-est...

Thomas Estrada, senior animator at Disney Interactive.

Ian Kornfeld y Federico Pintos, los ganadores del

April 25, 2015, 11:07 AM

http://www.edaeditores.org/ian-kornfeld-y-federico...

Con la belleza clásica del mayor coliseo lírico de América Latina como imponente escenografía, el 17 BAFICI tuvo su gran noche de cierre, con la entrega de premios y función de clausura ocurridas este viernes por la noche en Buenos Aires. En el Salón Dorado del Teatro Colón, se realizó la ceremonia de entrega de premio. […]

Designing Sound Discussion Group – “Scouts Hon

April 25, 2015, 11:06 AM

http://designingsound.org/2015/04/designing-sound-...

We’ve finally been able to confirm a new date for […]

AMERICAN SNIPER SHOWREEL

April 25, 2015, 11:05 AM

https://www.aotg.com/american-sniper-showreel/

American Sniper show reel: highlights of some of the visual effects Image Engine provided for director, Clint Eastwood's depiction of Navy SEAL sniper Chris Kyle' in American Sniper.

Boom Cookie - Animation Insider Interview

April 25, 2015, 11:05 AM

http://www.animationinsider.com/2015/04/boom-cooki...

One of my first jobs was for a local movie theater that only had two screens (I watched Disney’s Tarzan and Notting Hill about a dozen times)… and UPS on the night shift packing trucks. That was only fun because I worked with my girl friend, and we’d have farting contests to see who would have to evacuate the truck first. Once in college I held a job as an office clerk at a rental agency. And the worst was when I tried telemarketing for home security systems. I had to quit when I found out...

Key Frame #28 - Animation News

April 25, 2015, 11:05 AM

https://www.aotg.com/key-frame-28-animation-news/

Inside Out to Open in Cannes (The Key Frame #28 Weekly Animation News). The Key Frame is a weekly news show covering the latest from the world of animation and visual effects.

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