To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

DaVinci Resolve 12 Tips and Demos

April 21, 2015, 02:38 AM

http://jonnyelwyn.co.uk/film-and-video-editing/dav...

Want to know what's new in DaVinci Resolve 12? Check out this extensive round up of the new features and hear from professional colorists on what they're most excited about...

#colour grading#free download#colorists#davinci resolve 12
Animation Lessons from Aaron Blaise

April 20, 2015, 11:22 AM

https://www.aotg.com/animation-lessons-from-aaron-blaise/

In this comprehensive and complete course, master animator Aaron Blaise (“The Lion King”, “Beauty and the Beast”, “Mulan”, co-director "Brother Bear") takes you through the key principles of animation.

BAFTA Guru In Focus: Composing. Vol 2

April 20, 2015, 11:21 AM

http://filmmakeriq.com/2015/04/bafta-guru-in-focus...

An array of top composers from films and TV programmes such as Jack Ryan: Shadow Recruit, Sherlock and Jurassic World offer insights into composing and explain how recent technological advances have revolutionised their industry.

How Effects Change the Tone of a Story

April 20, 2015, 08:57 AM

https://www.aotg.com/how-effects-change-the-tone-of-a-story/

Same dailies, 2 different versions of the cut. My NABShow Presentation at the Rampant Design Booth.

#editing#avid#adobe#vfx#media composer#premiere#rampant#storytelling
EVENT REPORT: INSIDE THE EDIT (QLD)

April 20, 2015, 08:17 AM

http://www.screeneditors.com.au/event-report-insid...

EVENT SUMMARY – INSIDE THE EDIT Frackman and The Fear of the Darkness Presented by Qld ASE as part of the 2015 Gold Coast Film Festival Sunday the 12th of April   by Simon Smith INSIDE THE EDIT featured two Director/Editor teams. Chris Fitchett (w/d) and Brett McCauley (e) had just premiered their psychological thriller [...]

On the Job

April 20, 2015, 08:17 AM

http://www.improv.no/on-the-job

The path towards a career in film and television can take many forms. I remember well walking around Soho, London giving out CVs in order to procure my first runner position. […]

My First NAB Adventure

April 20, 2015, 08:16 AM

http://katietoomey.com/?p=996

Yes, I’m a part of the NAB Show virgins. Well… I mean to say, I was!

Becoming a LinkedIn Ninja!

April 20, 2015, 05:02 AM

http://www.allanmckay.com/32/

LinkedIn is the number one job finding and networking resource on the web! YET it’s not optimized for artist use – it’s optimized typically for more corporate, and start up jobs and long form productions. The typical approach to finding work with LinkedIn typically will not apply to Designers, Game Developers, TV and Feature Film Visual effects.

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