It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 23, 2018, 07:00 AM
https://www.youtube.com/watch?v=PGrCKAFRi50
Digital Rebellion : Kollaborate We welcomed back Jon Chappell, lead developer from Digital Rebellion, who took us through a major Kollaborate update that drastically expands the power of Workflows. Kollaborate, if you do not know, is a cloud based system for video collaboration. http://www.digitalrebellion.com Hosted by Michael Horton.
August 22, 2018, 09:20 AM
http://renderplease.tumblr.com/post/177275033200
My boss is like:
August 21, 2018, 04:16 PM
https://www.digitalproductionbuzz.com/2018/08/digi...
More than ever, as technology rapidly changes, it is important to keep our skills and training up-to-date. These quiet remaining days of summer are a perfect time to hone our skills or learn something totally new. Tonight we talk with a variety of different training firms about what they offer. Join host Larry Jordan as he talks with Johnathon Amayo, Jim Malcolm, Ben Kozach, Mak Azadi and James DeRuvo. In-classroom Technical Training Developer-focused Training Two Decades of Training P...
August 21, 2018, 04:16 PM
http://www.studiodaily.com/2018/08/film-editor-bar...
BlacKkKlansman, the newest Spike Lee joint, is one of those movies with a plotline that might seem implausible if it weren’t largely based on a true story. It’s about Ron Stallworth (played in the film by John David Washington), an African-American police officer in Colorado Springs who infiltrated the Ku Klux Klan (KKK) in the 1970s. […] The post Film Editor Barry Alexander Brown on Decades of Working with Spike Lee and BlacKkKlansman appeared first on Studio Daily.
August 21, 2018, 10:33 AM
https://www.aotg.com/davinci-resolve-15-studio-used-for-zurich-spot/
Blackmagic Design today announced that URSA Mini Pro and DaVinci Resolve Studio were used to create two exciting sports themed campaigns for Zurich Insurance, both directed, shot and post produced by Munich commercials team The Directors Duo.
#editing#vfx#color grading#post production#color correction#audio post#deliveryAugust 21, 2018, 09:46 AM
http://renderplease.tumblr.com/post/177239536085
August 21, 2018, 07:00 AM
https://digitalfilms.wordpress.com/2018/08/20/appl...
July was a good month for Apple power users, with the simultaneous release of Blackmagic Design’s eGPU and a refresh of Apple’s popular MacBook Pro line, including both 13″ and 15″ models. Although these new laptops retain the previous model’s form factor, they gained a bump-up in processors, RAM, and storage capacity. Apple loaned me […]
August 21, 2018, 07:00 AM
https://www.nycppnews.com/editors-guild-recommends...
In recommending a “no vote” on the ratification of new IATSE film and TV contract, Editors Guild Local 700 says that the pact’s new media residuals formula has such an “extraordinarily narrow scope” that it “excludes nearly all of new media.” In a posting on its website, the guild says that Netflix’s Bright “was the sole example cited in negotiations of a recent show that would qualify.”
August 20, 2018, 09:30 AM
http://renderplease.tumblr.com/post/177204020535
August 20, 2018, 09:29 AM
https://www.provideocoalition.com/sequence-duplica...
How often have you been working in Adobe Premiere Pro and you duplicated a sequence into a new version only to forget to load that new copy into the timeline? So you continue editing on your old version only to discover the mistake many cuts later?
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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