To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Edit in MediaCentral
June 8, 2020, 01:25 PM
https://www.youtube.com/watch?v=nrr8a5e3zrU
Allow journalists to edit their story from within MediaCentral l Cloud UX ▶️ https://www.avid.com/mediacentral Follow Avid: https://facebook.com/avid https://instagram.com/avidtechnology https://twitter.com/avid https://www.linkedin.com/company/avid-technology https://www.snapchat.com/add/avidtechnology https://www.tiktok.com/@avidtechnology
Meet the Sound Designers: Theatre Sound Webinar
June 7, 2020, 03:38 PM
https://www.youtube.com/watch?v=WIRFETQ6pFs
Robb Allan hosts world-renowned sound designers Peter Hylenski (Moulin Rouge, Frozen, Beetlejuice, King Kong, Motown) and Gareth Owen (Back to the Future, & Juliet, Bat Out of Hell, Prince of Egypt, Come From Away). ▶️ https://www.avid.com/s6l See all upcoming and past live sound webinars at: ▶️ avid.com/live-sound-webinars Follow Avid Live Sound: https://facebook.com/avidlivesound https://instagram.com/avid.livesound https://twitter.com/avidlivesound https://www.link...
ART OF THE CUT with Jake Roberts, ACE, on editing
June 5, 2020, 12:57 PM
https://www.provideocoalition.com/aotc-devs/
In this interview, I’m talking with Jake Roberts, ACE. I have spoken with Jake twice before, for the 2015 film Brooklyn and the 2017 film The Hitman’s Bodyguard. Jake also edited the films Hell or High Water and Starred Up. He’s also edited the TV shows Skins, The Misfits and The Week We Went to [...]Read More...
VFX Supervisor Kaitlyn Yang on Gender Equality and
June 3, 2020, 07:13 PM
https://www.laughingplace.com/w/articles/2020/06/0...
Visual Effects Supervisor and Alpha Studios founder Kaitlyn Yang recently opened up about gender equality in the film industry and how companies can become more diverse during a Walt Disney Family Museum virtual event.
Pixelworks hires post vets to lead TrueCut motion
June 3, 2020, 12:33 PM
https://postperspective.com/pixelworks-hires-post-...
Pixelworks, which provides video and display processing solutions, has beefed up its team with the hire of industry veterans Sarah Priestnall and Bruce Harris. The duo will lead TrueCut motion grading technology initiatives in North America, specifically targeting Hollywood. Introduced in 2019, Pixelworks TrueCut motion grading provides filmmakers with the ability to deliver at a cinematically tuned high frame rate while filming at any frame rate. Continue reading → June 2, 2020 The pos...
Composer Paul Leonard-Morgan on Tales from the Loo
June 1, 2020, 06:42 PM
https://www.aotg.com/composer-paul-leonard-morgan-on-tales-from-the-loo/
Paul Leonard-Morgan joins Gordon Burkell to discuss composing with Philip Glass for Amazon's Tales from the Loop.
Michael Mann: Master of Cool Colors
May 29, 2020, 01:06 PM
https://filmschoolrejects.com/michael-mann-cool-co...
Michael Mann is the kind of director who holds complete films in his head before he begins making them. He is a rare breed of an auteur who has everything to do with everything. In the scope of his filmography, his producing and screenwriting are no less significant than his directing. He ceaselessly communicates the blueprint he envisions for each department — hyper-specific costuming, makeup, background direction, prop placement, blocking, lighting, shooting, production design, et al.
John Heller (Penny Dreadful: City of Angels, The O
May 29, 2020, 01:06 PM
https://www.goldderby.com/article/2020/john-heller...
“The most important thing was authenticity,” says visual effects supervisor John Heller of his recent television work. He crafted effects for Showtime’s noir period piece “Penny Dreadful: City of Angels” as well as HBO’s detective thriller “The Outsider.” Both series uniquely demand that he deliver supernatural elements within stories that are grounded in reality. Watch the exclusive video interview above.
Classmates Posted with DaVinci Resolve
May 28, 2020, 01:04 PM
https://www.aotg.com/classmates-posted-with-davinci-resolve/
Blackmagic Design today announced that Singapore based Echo Entertainment used URSA Mini Pro G2 cameras shooting in Blackmagic RAW to capture the first season of Mediacorp Singapore’s upcoming TV dramedy “Classmates.” Echo Entertainment also used DaVinci Resolve Studio for color correction and VFX work, with the DaVinci Resolve Fairlight page used for audio editing.
#blackmagic design#davinci resolve studio#ursa mini pro g2
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