It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 7, 2015, 09:22 AM
https://www.aotg.com/exporting-h-264-from-davinci-resolve-11-2/
In "Under 5 Minutes" Alexis Van Hurkman from www.RippleTraining.com will teach you how to export an h.264 encoded movie for your boss or clients to review, directly from within DaVinci Resolve 11's delivery page.
July 7, 2015, 09:22 AM
https://www.aotg.com/sound-devices-688-sl-6-and-superslot/
Paul Isaacs, Director of Product Management and Design, talks about SL-6 with SuperSlot and how it can be used with Sound Devices' 688 to simply interconnection for Production Sound Mixers.
July 7, 2015, 05:10 AM
http://arstechnica.com/science/2015/07/terminator-...
For folks in my generation—those born in the late 70s or early 80s—the definition of "virtual reality" is informed by decades of popular entertainment and includes at least a few strong Lawnmower Man images. Virtual reality, as it’s been sold to us by the combined forces of Hollywood and consumer electronics companies, is the experience one gets when one straps on a head-mounted display and slips into a computer-created world.
July 7, 2015, 05:06 AM
http://www.fcp.co/final-cut-pro/articles/1693-emmy...
The news of Emmy Award winning shows cut on Final Cut Pro X keep on coming in. This time, The Game Changers…How the Harlem Globetrotters Battled Racism won a NYC award in the category of “Nostalgia Programming”.
July 7, 2015, 05:05 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“You’re here. That’s what you done.” — Randall Simpson O’Connell The year was 1964, and a simmering unease was spreading across the United States. The Cuban Missile Crisis, the testing of nuclear weapons by the superpowers of the time, the assassination of John F. Kennedy, the B...
July 7, 2015, 05:05 AM
http://www.animationmagazine.net/people/movie-tv-a...
The Animation Guild, Local 839 IATSE and the Alliance of Motion Picture and Television Producers have agreed to a new three-year collective bargaining agreement, set to take effect August 1, 2015 and run through July 31, 2018.
July 7, 2015, 05:05 AM
http://www.postmagazine.com/Publications/Post-Maga...
MPC Film (www.moving-picture.com) spent a year producing visual effects for the new Terminator Genisys film, but the studio’s involvement dates back even further. MPC and its VFX supervisor Gary Brozenich had worked with Terminator Genisys VFX producer Shari Hanson on Lone Ranger, and she once again turned to the studio to help fulfill a vision for the big screen.
July 7, 2015, 05:04 AM
http://i.imgur.com/KKVOgn4.png
Arnold Schwarzenegger in the makeup chair to become the T-800 in "The Terminator", "T2: Judgment Day", and "Terminator: Genisys" (1984-2015)
July 7, 2015, 05:03 AM
http://www.postmagazine.com/Post-Blog/2015/July/Pr...
In the world of test commercials, all components of a job were once considered "disposable." Today, with agencies and brands focused on smarter and more creative ways of working, companies like Edit 1, traditionally known for our animatic/previs work, are now being utilized as creative partners throughout the entire production process. The result has found our 15-year-old studio taking the 3D animation we created as part of a test commercial and bringing it to completion for the broadcast versio...
July 7, 2015, 05:03 AM
http://www.animationmagazine.net/features/maya-buz...
Studio 100 Film has secured a new distribution deal for its CG-animated Maya the Bee movie with London-based entertainment company Primal Screen. The agreement includes all rights for the United Kingdom, Republic of Ireland, Norway, Sweden, Denmark, Finland and Iceland, and will see Maya hit the big screen in the U.K. this October.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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