It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 15, 2015, 04:33 PM
http://www.definitionmagazine.com/journal/2015/5/1...
Amy Winehouse, whose hits included Rehab, Valerie and Love is a Losing Game, rose to international fame with her second album, Back to Black, which won five Grammys and sold more than 20 million copies worldwide. But along with fame and success came struggles with drugs and alcohol, which plagued her throughout her adult life.
June 15, 2015, 04:33 PM
http://www.4kshooters.net/2015/06/16/create-stunni...
High-quality titling is a small, yet significant aspect of every production. Well executed titles and credits can give your videos a finished professional look and set your work apart from your competition. On the other hand, it’s always challenging to deliver the best possible quality along with keeping attention to even the smallest details, especially when working on a commercial project with a tight deadline.
June 15, 2015, 12:42 PM
http://www.screeneditors.com.au/postinsiders-event...
Postinsiders event, Brisbane QLD @Cutting Edge
June 15, 2015, 12:41 PM
http://www.provideocoalition.com/after-effects-hid...
Some effects - usually those in the Distortion category - will try to create new pixels in After Effects that should appear beyond the layer’s original boundaries. Sometimes, it’ll be okay - but sometimes, they’ll get clipped off by the layer’s boundaries:
June 15, 2015, 12:41 PM
http://saeditores.org/Novedades/La-ultima-palabra-...
Segunda parte de la mesa La última palabra: Reescrituras en la sala de montaje, organizada por SAE y EDA en el marco del 17° Festival Internacional de Cine de Buenos Aires (BAFICI). Con la participación de Loli Moriconi (EDA) y Alejandro Carrillo Penovi (SAE) como expositores, y Alberto Ponce (SAE) en el rol del moderador.En esta segunda entrega, Alejando Carrillo Penovi (SAE) desarrolla una versión del “viaje del héroe” de Joseph Campbell como alegoría del proceso de montaje e ilu...
June 15, 2015, 12:39 PM
http://www.provideocoalition.com/tricks-for-sony-f...
Sony’s Cine-EI mode is both a blessing and a curse. Here's how to work to its strengths and around its issues using two free software packages…
June 15, 2015, 12:39 PM
http://www.creativeplanetnetwork.com/flink/610273
Andrew Thomas Huang's 12-minute music video for Bjork's "Black Lake"--which was at the center of the recent MoMA retrospective on the singer--features more subtle VFX work than some of Huang's previous collaborations with Bjork. Regardless Huang calls the work, which includes flowing blue lava and a cape that comes to life, "rich, varied and in some of their best moments seamless and slight of hand."
June 15, 2015, 12:38 PM
https://www.aotg.com/how-do-we-measure-an-audience-2/
The success of a film or video is often judged on the size of the audience - but how do we measure that audience? - It's not always as simple as counting tickets. In this lesson we look at the techniques and methods studios and distributors use to calculate who has seen their products and try to make sense of all those Box Office Numbers and Ratings.
June 15, 2015, 12:38 PM
https://www.aotg.com/qa-do-i-need-a-second-monitor-for-editing/
Q&A: Do I need a second monitor for editing
June 15, 2015, 12:07 PM
http://www.editshare.com/press/pr-smpte-enterprise...
New XStream EFS scale out storage solution combines enterprise-class storage with advanced media management capabilities; Flow MAM increases facility efficiency including remote collaboration toolset for editorial review
#editshare#mam#editshare flow#editshare xstream efs#smpte 2015
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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