To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Gene Kellys performances were a direct source of

August 9, 2021, 09:05 AM

https://beforesandafters.com/2021/08/09/gene-kelly...

In this next piece of coverage on Sony Animation and Netflix’s Vivo, directed by Kirk DeMicco, befores & afters chats to Sony Pictures Imageworks animation supervisor Kevin Webb.

Tommy Smith joins Carbon as VFX Supervisor

August 5, 2021, 09:01 AM

https://postperspective.com/tommy-smith-joins-carb...

VFX supervisor Tommy Smith has joined creative studio Carbon. He has more than 15 years of experience working at studios such as Psyop, The Mill and Method. He also had a two-year stint with Apple as creative director across technology projects. Smith says he looks forward to his work at Carbon because it allows him to use his skills across both 2D and 3D. Continue reading → August 4, 2021 The post Tommy Smith joins Carbon as VFX Supervisor appeared first on postPerspective.

How the VFX Team Behind Marvels Loki Brought Mi

August 4, 2021, 09:03 AM

https://variety.com/2021/tv/news/loki-miss-minutes...

As Marvel continues dipping its toes in TV — snagging 28 Emmy nominations in the process — its latest venture, the Disney Plus miniseries “Loki,” is being hailed as one of the studio’s most unique anti-hero stories to date.

Short Animation Series Aoi Hane Mitsuketa! Posted with DaVinci Resolve Studio

August 4, 2021, 08:50 AM

https://www.blackmagicdesign.com/media/release/202...

Fremont, CA – August 4, 2021 – Blackmagic Design today announced the anime series “Aoi Hane Mistuketa (Finding a Blue Feather),” produced by anime production company Noovo Inc., was posted using DaVinci Resolve Studio. The series, which was also granted a MegaGrant by Epic Games, used DaVinci Resolve Studio for editing and used the Fusion page to create background images in conjunction with Epic’s Unreal Engine. Produced with the latest technology, the series consists of six five m...

#editing#vfx#post production#fusion#collaboration#davinci resolve studio#anime
Cinesite Shares ‘Black Widow’ VFX Breakdown Reel

August 3, 2021, 08:51 AM

https://www.awn.com/news/cinesite-shares-black-wid...

VFX supervisor Ben White and his team tackle a CG BMW, a nasty arm-wrestling match, and a Russian prison guard attitude adjustment, in Marvel Studios’ latest MCU adventure.

Loki: Dan DeLeeuw – Overall VFX Supervisor – Marvel Studios

August 3, 2021, 08:50 AM

https://www.artofvfx.com/loki-dan-deleeuw-overall-...

Back in 2019, Dan DeLeeuw gave us a detailed explanation of the visual effects in Avengers: Endgame. He’s back today to talk about his work on the series, Loki.

Phosphene Uses Pocket Cinema Camera 6K for VFX on Hulu Original Film False Positive

July 30, 2021, 01:28 PM

https://www.blackmagicdesign.com/media/release/202...

Blackmagic Design today announced that New York based visual effects (VFX) company Phosphene used a Blackmagic Pocket Cinema Camera 6K digital film camera to capture VFX elements and plates for the new feature film “False Positive.”

#blackmagic design#davinci resolve studio#pocket cinema camera 6k
VFX ARTIFACTS: ELASTIC REALITY

July 30, 2021, 09:05 AM

https://beforesandafters.com/2021/07/30/vfx-artifa...

On the latest VFX Artifacts podcast, Ian Failes from befores & afters chats to Paul Miller. Paul is one of the original developers of the Elastic Reality software. Today, Paul is Partner / Lead Software Engineer on the Silhouette paint, rotoscoping and compositing system, owned by Boris FX.

#artifacts#elastic
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