To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

In Memoriam – Peter Gamba

April 8, 2020, 12:59 PM

https://americancinemaeditors.org/peter-gamba/

In Memoriam – Roney Editor Peter Gamba Read more: Bravo TV article>>

The Finish Line Uses EditShare's Flow

April 7, 2020, 03:42 PM

https://www.aotg.com/the-finish-line-uses-editshares-flow/

EditShare®, a technology leader that specializes in collaboration, security, media management and intelligent storage solutions, today announced that UK based post-production company, The Finish Line, is using EditShare’s Flow media management workflow solution to scale its post-production business through remotely enabled workflows. Known for its high caliber finishing services, The Finish Line chose EditShare’s open and collaborative media management solution to create a secure cloud-base...

#editshare#flow#qscan#the finish line
Fantasy Island Captured with Blackmagic Design

April 7, 2020, 02:52 PM

https://www.aotg.com/fantasy-island-captured-with-blackmagic-design/

Blackmagic Design today announced DP Toby Oliver, ACS used two Pocket Cinema Camera 4Ks to shoot the suspense/thriller “Blumhouse’s Fantasy Island.” Senior Colorist Alastor Arnold of FotoKem then used DaVinci Resolve Studio to grade the film.

#blackmagic design#davinci resolve studio#pocket cinema camera 4k
The Banker

April 7, 2020, 02:11 PM

https://digitalfilms.wordpress.com/2020/04/04/the-...

Apple has launched its new TV+ service and this provides another opportunity for filmmakers to bring untold stories to the world. That’s the case for The Banker, an independent film picked up by Apple. It tells the story of two African American entrepreneurs attempting to earn their piece of the American dream during the repressive […]

DIE KÄNGURU-CHRONIKEN: VFX Breakdown

April 7, 2020, 02:11 PM

https://www.artofvfx.com/die-kanguru-chroniken-vfx...

Trixter have released Animation reel and a VFX Breakdown about the work on DIE KÄNGURU-CHRONIKEN...

Colour grading: A complete guide

April 7, 2020, 02:11 PM

https://www.creativebloq.com/features/colour-gradi...

Colour grading is the unsung hero of content creation, from still imagery to cinema, find out how you can become a colour grading master.

Canadian Cinema Editor nominees announced

April 7, 2020, 02:10 PM

https://www.provideocoalition.com/canadian-cinema-...

Congratulations to the editors nominated for the Canadian Cinema Editors awards! I’ve only interviewed one of them, Wendy Hallam Martin, ACE/CCE, who cuts “The Handmaid’s Tale.” There is a link...

The Enduring Power of Stop-Motion Animation

April 6, 2020, 07:12 PM

https://filmschoolrejects.com/rebooted-short-film/

When it comes to creature effects, trends come and go in Hollywood. From latex suits to CGI, at any given time, the silver screen has its favorites. And falls from grace can hurt something awful. Just ask Phil. In the 1960s, he was hot shit. But now, in an era of motion capture, no one wants to hire a stop-motion animated skeleton monster.

5 tips that made my 3D animation life easier

April 6, 2020, 01:10 PM

https://beforesandafters.com/2020/04/06/5-tips-tha...

A lot of people might think that jumping straight into Maya or any other 3D animation tool is how you get ‘started’ on a piece of animation. But, as Escape Studios animation tutor Amedeo Beretta points out in these handy tips for 3D animators, it actually pays to do some crucial prep work fist.

The 19th annual Tribeca Film Festival moves online

April 6, 2020, 01:10 PM

https://www.provideocoalition.com/the-19th-annual-...

The 2020 Tribeca Film Festival is evolving into virtual or remote initiatives, to face the times. It is one of the first and only festivals to introduce a curated immersive...

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