It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 4, 2015, 12:17 PM
https://www.aotg.com/audio-gear-at-nab/
Learn how to improve the sound of your production while you shoot, with these tips on choosing mics (lavalier, shotgun, and handheld), hearing what you recor...
May 4, 2015, 11:56 AM
http://blog.vidhub.co/a-simpler-way-to-review-vide...
Clients can now review videos on Vidhub without creating an account! This means no passwords to forget/reset, no emails to deal with, and no confusion. Simple.
May 4, 2015, 09:20 AM
https://www.aotg.com/miller-at-broadcast-asia-2015/
Miller Camera Support Equipment showcases a diverse group of tripod systems, including the new Cineline 70 Tripod System and robust Air Tripod System, suitable for an array of applications at Broadcast Asia 2015
May 3, 2015, 01:40 PM
http://saeditores.org/Novedades/El-Premio-al-Mejor...
En el marco del 17º BAFICI, el pasado 24 de abril la SAE y la EDA entregaron el Premio al Mejor Montaje de Película en Competencia Oficial Argentina. Resultaron ganadores Ian Kornfeld y Federico Pintos por su trabajo en el largometraje Generación artificial...
May 3, 2015, 01:40 PM
http://provideocoalition.com/blackmagic-announces-...
At NAB in Las Vegas, Blackmagic announced its new Video Assist monitor/recorder. Blackmagic’s new device is clearly aimed to be a modern version of their own HyperDeck Shuttle 2, and to compete with Átomos’s Ninja/Samurai and SoundDevices‘/VideoDevices’ Pix recorders (which I have covered previously). Unfortunately, Blackmagic’s Video Assist team initially forgot a critical feature that solves a problem that Átomos, NewTek, and VideoDevices tackled years ago.
May 3, 2015, 01:40 PM
http://kennypark.com/blog/index.php/2015/05/03/fin...
The new mask capabilities of FCPX in 10.2 were immediately a godsend: the video I was working on at the time immediately benefitted, and in that respect it was as helpful as the arrival of Libraries in 10.1. (Ripple Training have a great overview of the new masking features.)
May 3, 2015, 06:46 AM
https://www.aotg.com/renderman-vs-arnold-in-maya-comparison-tutorial-hd/
RenderMan vs Arnold, winner take all! Just kidding. Today we are comparing Pixar's RenderMan and SolidAngle's Arnold Renderer in Maya.
May 3, 2015, 06:45 AM
http://www.fcp.co/final-cut-pro/news/1657-timecode
A large timecode window has been on many FCPX editor's wish lists for a long time. The wait is over. Timecode is a free plugin for Final Cut Pro X that gives a resizable floating timecode readout.
May 3, 2015, 06:44 AM
http://www.postmagazine.com/Publications/Post-Maga...
For the past three years, LA’s Spy Post (www.spypost.com), a FotoKem company, has been setting TV on fire with some of its visual effects — literally — as the sole VFX provider on NBC’s hit drama Chicago Fire (a Wolf Films show, along with spin-off Chicago PD).
May 2, 2015, 12:58 PM
http://lesterbanks.com/2015/05/project-panel-navig...
If you have ever felt like the After Effects Project Panel is a little kludge to navigate, then the Project Panel Navigator might be for you
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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