To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

NAB 2015: Adobe, Foundry and revisiting the ‘big

April 21, 2015, 02:15 PM

http://postperspective.com/nab-2015-adobe-foundry-...

By Adrian Winter Admittedly, it’s taken me a while to put this entry together, as the days between when NAB wrapped up until now have been very busy. How busy? So busy that I have yet to catch up with Daredevil. THAT’S how busy. I am not starting Episode 10, despite the fact that Episode 9 ended on a really crazy note and I can’t stop thinking about it. Instead, I am taking this time to run through my last day at NAB. While the exhibit floor on toward the end of the show was significa...

Aframe Advances Cloud-Collaboration Strategy with

April 21, 2015, 02:14 PM

http://www.studiodaily.com/2015/04/adobe-anywhere-...

Aframe has stepped up with new integration with the Adobe Anywhere platform, reducing the initial investment required to set up real-time remote collaboration with Adobe's networked workflow platform. Because the storage infrastructure is maintained in Aframe's private cloud, with data … more » The post Aframe Advances Cloud-Collaboration Strategy with Adobe Anywhere appeared first on Studio Daily.

2015 NAB Show

April 21, 2015, 02:14 PM

http://americancinemaeditors.org/2015nab/

2015 NAB Show Photos: https://www.yousendit.com/download/bXBZclVLbEozeUkwTWRVag

Import RealFlow Particles & Meshes in MODO With em

April 21, 2015, 02:14 PM

http://lesterbanks.com/2015/04/import-realflow-mod...

You can bring RealFlow simulations into MODO without loading the actual geometry using emReader.

Sound Advice Tour

April 21, 2015, 02:12 PM

https://www.hurlbutvisuals.com/blog/2015/04/sound-...

Based on our relationship with MZed, we have negotiated an exclusive special offer of a discount higher than any other for one week only on the Sound Advice tour – use discount code SATHV20 to save $20 off your enrollment on or prior to midnight EST, Wednesday, April 29, 2015. Read on for my discussion of the importance of sound, with an interview with Frank Serafine.

Deluxe’s Cimelli on How IP Workflows Are Revolut

April 21, 2015, 02:11 PM

http://www.sportsvideo.org/nab2015/2015/04/nab-per...

With an eye on avoiding the costly investment that goes with onsite hardware, more and more broadcasters are finding ways to slim down remote productions by using IP workflows that leave a large chunk of the production operation at the broadcast center. Sitting at the center of this “at-home–production” trend at NAB 2015 was Deluxe MediaCloud, an IP-based software platform that gives broadcasters an alternative to the hardware-centric broadcast infrastructure to offer a more agile, resilie...

NAB 2015: CoreMelt TrackX and SliceX Updates

April 21, 2015, 02:11 PM

http://news.doddleme.com/blogs/post-production/nab...

While I am not a user of Final Cut Pro X, but I am a huge fan of Roger Bolton and CoreMelt. They have been making plug-ins for Final Cut Pro for years now (back to the pre-7 days), and Roger is back at NAB 2015 showing off the newest update to his CoreMelt TrackX and SliceX plug-ins.

What I Learned About Scores on My First Feature

April 21, 2015, 02:11 PM

http://nofilmschool.com/2015/04/what-i-learned-abo...

Even though I've collaborated with composers on original scores for short films, the process of creating a score really remained a mystery to me as I ventured into my first feature film CENTS. Because I'm type-A (are there writer/directors who aren't type-A?), this musical mystery around composing scores made me anxious. So I was incredibly fortunate to have the opportunity to work with composer Kathryn Bostic as she created the score for CENTS.

Review: AudioProbe Spartan Cue 110

April 21, 2015, 02:11 PM

http://www.askaudiomag.com/articles/review-audiopr...

You may not have come across Audioprobe before, but the South Korean audio interface maker may have found their breakthrough product with the Spartan Cue 110. Hollin Jones investigates.

Mark LeBlanc Keeps it Cool with Sound Devices

April 21, 2015, 01:08 PM

https://www.aotg.com/mark-leblanc-keeps-it-cool-with-sound-devices/

As a Production Sound Mixer and owner of Louisiana Film Sound, Mark LeBlanc's credits include the 2013 Oscar-nominated Beasts of the Southern Wild, GI Joe Retaliation, American Horror Story and the recently released Zipper.

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