To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Conociendo a los nominados a “Mejor montaje”.
April 18, 2015, 01:13 PM
http://www.edaeditores.org/conociendo-a-los-nomina...
Durante el 17º BAFICI, que se llevará a cabo entre el 15 y el 23 de abril de 2015 en Buenos Aires, la SAE junto a la EDA (Asociación Argentina de Editores Audiovisuales) entregarán el Premio al Mejor Montaje de Película en Competencia Oficial Argentina. Los candidatos a recibir el premio son: Javier Olivera por […]
MPEG Automation Seminar
April 18, 2015, 01:13 PM
http://www.evanschiff.com/bd/articles/mpeg-automat...
Hello! This post will have notes from the MPEG Seminar on Automation that Noah Chamow and I presented at the Editors Guild. I’m still working on it, so please check back tomorrow for that. Thanks! –Evan
Photo Based Modeling in Cinema 4D
April 18, 2015, 01:13 PM
http://lesterbanks.com/2015/04/photo-based-modelin...
How to use photo based modeling techniques in cinema 4d to easily create realistic 3d models.
A Look at Mental Ray’s New Features & Integratio
April 18, 2015, 07:49 AM
http://lesterbanks.com/2015/04/a-look-at-mental-ra...
Mental Ray for Maya adds new features including a new Global Illumination Engine, GI Next, as well as much needed better integration with Maya 2016.
The otherwise adorable 12-inch MacBook transfers u
April 18, 2015, 07:48 AM
http://www.provideocoalition.com/the-otherwise-ado...
For the same reason that many people prefer to read outdoors with a greyscale Kindle as opposed to doing so with an iPad or color Kindle Fire, I paid US$200 to have my MacBook Air screen transplanted to a high-quality color matte panel: We can’t stand the glare! The only company that currently offers this transplant (to my knowledge) can only do it with a non-Retina screen. The above photo illustrates the difference between the ultra glare on the new 12-inch MacBook versus with my 11" Mac...
PVC at NAB 2015: Wipster Creates a Joyful Experien
April 18, 2015, 07:48 AM
http://www.provideocoalition.com/pvc-at-nab-2015-w...
Tad Butler - Animation Insider Interview
April 18, 2015, 07:47 AM
http://www.animationinsider.com/2015/04/tad-butler...
Tad Butler a freelance storyboard artist and illustrator.
FRES | Post Production of
April 18, 2015, 07:47 AM
https://www.aotg.com/fres-post-production-of/
Today, we jump into the post production of our latest short "U.F.Oh Yeah"!
Getting Started, Caching Pyro FX Simulations in Ho
April 17, 2015, 06:33 PM
http://lesterbanks.com/2015/04/getting-started-cac...
Learn two different methods for creating a Houdini Pyro FX Cache when working with the Pyro FX toolset.
5 Reasons to Get a Color Grading Control Surface
April 17, 2015, 06:33 PM
http://www.premiumbeat.com/blog/5-reasons-to-get-a...
A color grading control surface is an essential piece of gear for professional color correction. Here are five good reasons why. The post 5 Reasons to Get a Color Grading Control Surface appeared first on The Beat: A Blog by PremiumBeat.
Newest from AOTG.com
-
Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
-
Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
-
Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
Site Links
Tools
Sister Sites
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.