To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Editor Akiko Iwakawa-Grieve joins Rock Paper Sciss

June 14, 2018, 11:06 AM

http://www.postmagazine.com/Press-Center/Daily-New...

NEW YORK CITY — Editor Akiko Iwakawa-Grieve has joined Rock Paper Scissors for representation in the US. As a part of the New York advertising and film community, Iwakawa-Grieve is known for her bold, anthemic films that are at the forefront of genre and technique. Her work as an editor includes campaigns for Converse, Ford, Pepsi and Nike. Beyond advertising, Iwakawa-Grieve’s film credits include working with Zach Heinzerling on the Oscar-nominated documentary feature Cutie and the Box...

Avid VENUE | S6L Waves SoundGrid Integration Video

June 14, 2018, 11:05 AM

http://www.avidblogs.com/s6l-waves-soundgrid/

The post Avid VENUE | S6L Waves SoundGrid Integration Video Series appeared first on Avid Blogs.

ACE’s 18th Annual IAVA (Invisible Art/Visible Ar

June 14, 2018, 06:15 AM

http://wordpress.quintessentialstudios.net/?p=903

On March 3rd, 2018, I attended my 10th ACE Invisible Art Visible Artist event. Each year the line to get in seems longer and longer. I think has a lot to do with the fact that ACE is steadfast in their efforts to help our craft in being recognized in the world of film. IAVA [...]

Editors Retreat 2018 July 25-29 Atlanta, GA!

June 13, 2018, 01:46 PM

http://www.broadcastbeat.com/editors-retreat-2018-...

The 12th Annual Editors Retreat will take place on July 25-29 in Atlanta, GA. This  five day training platform is designed for industry professionals who have a minimum of 5 years of professional work experience.  If you want to join, you have to apply. This is a retreat reserved for the experienced editors that brings ...

Emmy Nominated Editor Jim Stewart, ACE Joins Our J

June 13, 2018, 01:46 PM

http://manhattaneditworkshop.blogspot.com/2018/06/...

Veteran editor Jim Stewart, ACE, has been editing feature films and television for over 30 years.  His breakthrough editing position was on the hit series Life Goes On.  From there he was a part of the iconic show The Wonder Years, serving as both editor and supervising editor on over 40 episodes.  He was nominated for an Emmy for his work on Chicago Hope for Outstanding Editing in a Series in 1994 for the episode "Leave Of Absence."  For close to a decade, Jim worked on several L...

How Long You’ll Need to Edit…

June 12, 2018, 10:32 AM

https://cuttingroomtales.wordpress.com/2018/06/12/...

…and When You Should Stop.   One question that I’m often asked when interviewing for a low-budget feature is: “how long do you think you’ll need?” The answer is… it’s complicated. The used to be a rule of thumb for feature films: 1.5 times the length of the shoot. This was based on the assumption … Continue reading →

URSA Mini 4.6K and DaVinci Resolve Used

June 12, 2018, 06:50 AM

https://www.aotg.com/ursa-mini-4-6k-and-davinci-resolve-used/

Blackmagic Design announced today that URSA Mini 4.6K was used by Kei Takahashi on the shooting of a promotion movie for TROJAN men’s suits private brand by the Japanese major department store Daimaru Matsuzakaya. DaVinci Resolve Studio, DaVinci Resolve Mini Panel, UltraStudio 4K and MultiDock were used for editing and color grading, with HyperDeck Studio 12G used for backup recording.

#blackmagic design#davinci resolve#davinci resolve mini panel
LACPUG hosting FCP and Premiere creator Randy Ubil

June 11, 2018, 12:38 PM

http://postperspective.com/lacpug-hosting-fcp-prem...

The Los Angeles Creative Pro User Group (LACPUG) is celebrating its 18th anniversary on June 27 by presenting the official debut of Bradley Olsen’s Off the Tracks, a documentary about Final Cut Pro X. Also on the night’s agenda is a trip down memory lane with Randy Ubillos, the creator of Final Cut Pro, Continue reading → June 11, 2018 The post LACPUG hosting FCP and Premiere creator Randy Ubillos appeared first on Randi Altman's postPerspective.

Bill Turro On Editing GLOW

June 11, 2018, 10:47 AM

https://www.aotg.com/bill-turro-on-editing-glow/

Gordon Burkell sits down with Bill Turro to talk about the editing of GLOW on Netflix. This is the first in a three-part series, the next episode will interview GLOW editor Tanya Swerling, followed by an interview with costume designer Beth Morgan about her work on GLOW.

ÁBALOS, POR ADRiÁN BAO (EDA)

June 11, 2018, 09:29 AM

https://edaeditores.org/abalos-por-adrian-bao-eda/

En particular, en esta película, tuve la fortuna de poder contribuir con otra de mis pasiones que es el registro, el rodaje, la cámara.(…) apareció la oportunidad de agregar una pequeña escena que habíamos descartado por carecer de los planos suficientes. Y bueno, allá fuimos, a rodarlos pensando en el montaje. ¡El sueño de todo […]

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