It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 22, 2013, 02:47 PM
http://www.signiant.com/news/press-releases/norway...
Software Automatically Routes User-Generated Video, Audio and Text for Transcode and Delivery to Network of NRK Broadcast and Web Outlets
January 22, 2013, 02:45 PM
http://www.premiumbeat.com/blog/chroma-key-in-prem...
Learn how to quickly pull a chroma key in Premiere Pro - an essential skill for working with green and blue screen video footage. In this post, we'll show you how.
#adobe#premiere pro#nle#key#chromaJanuary 22, 2013, 02:39 PM
http://www.fcp.co/final-cut-pro/tutorials/1027-col...
Like it or loathe it, the color board in Final Cut Pro X is the place to go to colour correct your footage. How about being able to control it and apply grades using the keyboard? Steve and Mark explore...
January 22, 2013, 02:39 PM
http://www.noiseindustries.com/blog/announcements/...
A versatile and powerful effects toolbox at your fingertips.
#fcpx#final cut pro x#pluginJanuary 22, 2013, 02:39 PM
http://provideocoalition.com/mspencer/story/keyboa...
On this week's MacBreak Studio, Steve Martin from Ripple Training shows me how you can customize the keyboard in Final Cut Pro X to set up keyboard commands for color-correction tasks.
#final cut proJanuary 22, 2013, 02:39 PM
http://www.fcp.co/final-cut-pro/news/1026-sony-rel...
If you are one of the lucky people to be working with 4K Sony SR footage, then you will like the news that they have just released an import plugin for FCPX and Final Cut Pro 7.
#sony#fcpx#final cut pro x#pluginJanuary 22, 2013, 02:35 PM
http://aframe.com/blog/2012/12/11/aframe-helps-ind...
A Breakthrough For Film and TV Production, Aframe's Cloud Video Platform Helped Producers Stay Focused On their Creative - Finally Making Dailies True to their Name, Saving Time and Costs...
January 22, 2013, 02:34 PM
http://www.apple.com/pr/library/2013/01/22FY-13-Fi...
WHAT: Apple® FY 13 First Quarter Results Conference CallWHERE: Via conference call. The dial-in number for press is (877) 616-0073 (toll-free) or (816) 581-1579. Please enter confirmation code 427753.WHEN: Wednesday, January 23, 2013, 2:00 p.m. PST/5:00 p.m. ESTREBROADCAST: The conference call will be available as a continuous rebroadcast beginning Wednesday, January 23 at 5:30 p.m. PST/8:30 p.m. EST through Wednesday, February 6 at 5:30 p.m. PST/8:30 p.m. EST.
January 22, 2013, 02:34 PM
http://www.btlnews.com/awards/for-your-considerati...
Of all the collaborative filmmaking crafts, editing is perhaps the hardest creative art to judge, yet among the most critical in terms of shaping the story. Although during the course of the production the editor usually puts the initial edit together, sometimes with little input from the director, once production is complete the polishing of the film is normally done in close partnership with the director, blurring the line between the editor's contribution and the director's vision.
#editor#editing#film editing#artJanuary 22, 2013, 02:33 PM
http://feedproxy.google.com/~r/industryhappenings/...
FOR IMMEDIATE RELEASE January 22, 2013 Toronto, Canada – January 22, 2013 – Art of the Guillotine Inc., developers of AOTG.com, a popular social news aggregation system for film editors, is excited to announce that sign up for their email news delivery system for film editors has jumped 35% since the launch of its customized [...]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.