To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
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Knowing how to do motion graphics is a crucial skill if you’re a video editor. The ability to add some motion graphics to edits is a highly sought-after commodity.
An Introduction to Grading HDR Video by Marc Bach
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http://www.fcp.co/final-cut-pro/articles/2072-an-i...
We have done very little HDR to date at FCP.co towers, well to be honest, none. However, we do know somebody who has edited in HDR in Final Cut Pro X. Marc Bach gets us up to speed quickly with his recommendations about grading within the new extended dynamic range.
The Odyssey Collection: Expanded Library Tour with
May 7, 2018, 09:12 AM
https://www.prosoundeffects.com/blog/the-odyssey-c...
Take an inside look (and listen) at the quality and depth of Odyssey Expanded. Watch sound effects editor Bob Kellough (Spider-Man: Homecoming, Justice League) explore The Odyssey Collection: Expanded. Get a listening tour of the library and learn why he loves the quality of the recordings and organized presentation – and check ... The post The Odyssey Collection: Expanded Library Tour with Bob Kellough appeared first on Pro Sound Effects Library.
Building a Scene with Sound Design in Editors' Lou
May 7, 2018, 09:11 AM
https://vimeo.com/channels/editorslounge/267335428
AlphaDogs' series of educational videos about the benefits of professional post production continues with this episode, where Terence demonstrates how professional audio post production can enhance a project by building up a scene through added sound design.
Faster, Together Presents Steve Hullfish
May 7, 2018, 09:11 AM
https://www.provideocoalition.com/steve-hullfish-e...
Steve Hullfish has interviewed some of the tops minds in feature film editorial for Art of the Cut. Perhaps you’ve even read his interview with Jeffrey Ford, the editor of Avengers – Infinity War. Steve is prolific writer and a feature film editor himself. He has credits on movies like War Room, Courageous, and The Oprah Winfrey Show. His personal experience alone makes Steve qualified to speak on editing technique. In fact, Steve has written numerous books on the topic.
Attend Sight, Sound, and Story in NYC for Free
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If you're a full time post production worker in the US that makes less than the median income where you live, you might have some trouble making the next leap in your career. It's hard to say yes to opportunities that would enrich your work life and help you build connections to climb the ladder when your finances limit your choices. That's why Blue Collar Post Collective created the Professional Development Accessibility Program (PDAP).
Pixar and the Craft of Storytelling
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https://gointothestory.blcklst.com/pixar-and-the-c...
18 movies produced. 17 movies #1 at the box office. Worldwide B.O. gross over $11 billion. Average B.O. per film: $650M+ by far the highest average per film of any studio in Hollywood history.
Oscar-winning editor, Tom Cross, ACE, discusses hi
May 5, 2018, 09:24 AM
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Tom Cross, ACE, is an Oscar winner for his editing of Whiplash. He was last nominated for an Oscar for Best Editing for La La Land, for which he won the ACE Eddie. He was also nominated for an Eddie for his work on Joy. Art of the Cut has interviewed Tom twice before: for Joy and again for La La Land.
Avid, Adobe, Blackmagic: Talking With Titans at NA
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As much as each year's NAB Show is about what's completely new, it's about hearing what's new from the industry's most enduring companies. Creative COW Contributing Editor Hillary Lewis sat down with representatives from three of the biggest titan companies in production and post -- Avid's David Colantuoni, Adobe's Laura Williams Argilla, and Blackmagic Design's Dan May -- to discuss the thought process behind their releases, what people might overlook, and their outlooks on the future of the in...
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