To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Keeper of the Screens
April 26, 2018, 04:53 PM
http://www.studiodaily.com/2018/04/keeper-of-the-s...
Museums have time-honored techniques for protecting and restoring sculptures and paintings, but what about TV sets? That’s right — TVs have been a fixture on the modern-art landscape since Nam June Paik pioneered video art back in the 1960s. Meet Chi-Tien Lui, the technician who keeps fine-art video installations glowing at museums including MoMA, Whitney and […] The post Keeper of the Screens appeared first on Studio Daily.
Review: Warren Eagle’s Resolve training
April 26, 2018, 01:50 PM
http://postperspective.com/review-warren-eagles-re...
By Brady Betzel With Blackmagic’s DaVinci Resolve 15 released at this year’s NAB, a lot of editors, colorists and now audio mixers want to dive in and see what all of the fuss is about. Resolve 15 now a Pro Tools competitor thanks to Fairlight and an After Effects competitor thanks to Fusion. Continue reading → April 26, 2018 The post Review: Warren Eagle’s Resolve training appeared first on Randi Altman's postPerspective.
easyDCP Exports From Final Cut Pro X Now on a Pay-
April 26, 2018, 09:17 AM
http://www.fcp.co/final-cut-pro/news/2069-easydcp-...
If you need to know about exporting from FCPX to provide a file that can be played in cinemas, you'll know about the difficulty and expense of making a DCP. Now easyDCP has launched a pay-as-you go service exporting out of FCPX with the easyDCP Publisher Bridge.
Colorado Outskirts Freeze Frame Effects for FCPX
April 26, 2018, 09:17 AM
https://fxfactory.com/blog/effects-2/colorado-outs...
4 freeze frame effects inspired by the most unforgettable, edgy videogame intros ever created.
Digital Production Buzz – April 26, 2018
April 26, 2018, 03:40 AM
http://www.digitalproductionbuzz.com/2018/04/digit...
Storage is essential to any media project. Tonight, we look at the latest storage news from NAB 2018 and discover new ways to store, access, collaborate and organize our data; both locally and online. Join host Larry Jordan as he talks with Thomas Burns, Matt Mazerolle, Vijay Char, Ahin Thomas and James DeRuvo. Scalable, Flexible Storage for Media Collaboration New for VFX collaboration: Athera New Storage Technology from Promise The Benefits of Cloud-Based Backups The Weekly DoddleN...
Lumberjack Builder - Philip Hodgetts
April 25, 2018, 12:26 PM
https://www.youtube.com/watch?v=DI6AgLroKTc
Lumberjack Builder, is a brand new, text-driven NLE, because existing NLEs are not good at working with transcription. Instead of creating scripts from transcripts in a text editor, with a painful manual conform required, Builder works directly with your clips to edit video and audio with the text. In both metadata creation and story building, while you work with text, you are building your story edit. Once complete, the story edit goes direct to FCP X for editors to work their magic on, wit...
Tristan Oliver on Shooting Isle of Dogs
April 25, 2018, 09:25 AM
https://www.aotg.com/tristan-oliver-on-shooting-isle-of-dogs/
Gordon Burkell sits down with Tristan Oliver to discuss his work on Isle of Dogs for Wes Anderson.
Motion Picture Editors Guild To Honor Lee Dichter,
April 25, 2018, 09:17 AM
http://www.btlnews.com/featured/motion-picture-edi...
Lee Dichter. Photo credit: Sophie Dichter. This year, for the first time, the Motion Picture Editors Guild (MPEG) will be holding their award ceremony in New York. Legendary sound re-recording mixer, Lee Dichter, CAS, who is known for his work on Men In Black, Miller’s Crossing, Postcards from the Edge, Grey Gardens and more recently […] The post Motion Picture Editors Guild To Honor Lee Dichter, CAS with Fellowship & Service Award in New York appeared first on Below the Line.
AE Advanced Damage and Decay
April 25, 2018, 09:17 AM
https://www.toolfarm.com/blog/entry/tutorial_after...
Andrew Kramer from Video Copilot is back with Chapter 2 of his Cinematic Title Design series. This time it is Damage and Decay FX. Learn how to create a procedural decay system capable of generating realistic rust, moss, cracks, corrosion and more, right inside After Effects.
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