It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 19, 2014, 12:44 PM
http://www.edaeditores.org/charla-de-musicalizacio...
Continuando con nuestro ciclo de charlas mensuales gratuitas, los invitamos a participar de una “Charla sobre Musicalizalización” a cargo de Eric Kuschevatzky en el que se explicarán etapas de producción fílmica: – Focalizado en post-produccion. – Desarrollo e implementación de un Spotting (análisis de la película y determinación de las escenas que requieran música basándose tanto en el concepto visual, como dramático). – Tecnica de analisis conceptual en ...
October 19, 2014, 08:13 AM
http://soundworkscollection.com/news/terrence-mali...
Noel Murray’s Keynote essay on Days Of Heaven addresses at length the difficulties Terrence Malick had in figuring out how (and whether) to use voiceover narration, before finally arriving at Linda Manz’s extemporized musings—without which the film would be severely impoverished. Manz’s narration solves practical problem...
October 18, 2014, 08:06 AM
http://www.screeneditors.com.au/digistor-appoints-...
Media & Entertainment, 3D and Animation Sales Consultant Joins Digistor Sydney, Australia – Digital media integration solutions specialist, Digistor Pty Ltd, has appointed Darren Godwin as a 3D & Animation Sales Consultant. Darren, an experienced 3D specialist, will provide consultative sales services to customers in the visual effects (VFX), post- production, games, visualisation and architectural [...]
October 18, 2014, 08:06 AM
http://www.screeneditors.com.au/meet-the-sponsor-v...
ASE Gold sponsors Videocraft recently worked with Macquarie University on designing and building a new studio, editing and training facilities. Sydney, 14 August 2014 – Macquarie University prides itself on providing its students with the very best courses using the latest and most advanced equipment. When it was decided that the university would run two [...]
October 18, 2014, 08:06 AM
http://digitalfilms.wordpress.com/2014/10/18/color...
A common mistake made by editors new to color correction is to try to nail a “look” all in a single application of a filter or color correction layer. Subjective grading is an art. Just like a photographer who dodges and burns areas of a photo in the lab or in Photoshop to “relight” a […]
October 18, 2014, 08:05 AM
http://www.edaeditores.org/entrevista-con-leandro-...
Hace pocas semanas se estrenó “El Ardor”, tercera película de Pablo Fendrik y en colaboración con el montajista Leandro Aste (SAE). La Comisión de Cultura de la EDA tuvo la oportunidad de hablar con Leandro sobre su ya extensa relación con Fendrik y cómo fue el desafío de la película más “grande” en la que […]
October 18, 2014, 08:05 AM
http://splicevine.com/immersive-storyworlds/
Links on Transmedia Storytelling: Getting Started in Transmedia Storytelling – Robert Pratten Tom Perlmutter – For the past 5 years Perlmutter served as the commissioner of the National Film Board of Canada. During that time he spearheaded the […]
October 18, 2014, 08:05 AM
http://www.pro-tools-expert.com/home-page/2014/10/...
Back to basics this week with a look at busses. These are a very common source of confusion for novice users. Exactly what busses are and how you might use them is so important that even if you think you’re getting by without them, you’re already using them in your sessions even if you don’t know it yet.
October 18, 2014, 08:05 AM
http://rsp.com.au/x-men-days-of-future-past/
Rising Sun Pictures’ contribution to Twentieth Century Fox’s X-Men Days of Future Past centered on a time-bending sequence in which Quicksilver (Evan Peters) displays his hyper-speed abilities with spectacular effect.
October 17, 2014, 05:28 PM
http://www.redsharknews.com/post/item/2109-how-to-...
To make convincing-looking CGI animals, it takes more than a detailed and textured volumetric model. For movement, it's essential to model the inner, as well as the external anatomy UrangutangCGICFXSSE
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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