To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Acoustic Fields Hangout Week #13
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Jeffrey Katzenberg On DreamWorks Animation’s Fut
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http://deadline.com/2014/10/jeffrey-katzenberg-dre...
Jeffrey Katzenberg celebrated Dreamworks Animation’s 20th anniversary, replete with a cake and an audience rendition of Happy Birthday, at the BFI London Film Festival as he gave this year’s annual industry keynote. An emotional and characteristically passionate Katzenberg recalled his rise from “a gofer for Barry Diller” at Paramount at the age of 23, to joining Steven Spielberg and David Geffen for the launch of Dreamworks SKG in 1994.
Schoonmaker, Scorsese Talk Up 'Tales of Hoffmann'
October 14, 2014, 11:59 AM
http://variety.com/2014/film/news/shoonmaker-scors...
LYON – Martin Scorsese has influenced generations of new filmmakers. But who and what films influenced Scorsese? One front-runner: “The Tales of Hoffmann,” Michael Powell and Emeric Pressburger’s 1951 adaptation of Jacques Offenbach’s opera, which liberated the duo from the constraints of early 1950s’ sound cinema.
The Top Ten Final Cut Pro X tips for editing under
October 14, 2014, 09:14 AM
http://www.fcp.co/final-cut-pro/tutorials/1520-the...
Given two weeks, everybody can edit a piece on FCPX. That's a completely different matter when you've only got a couple of hours before you need to deliver or broadcast your edit. Ten great FCPX tips from Peter Wiggins to help everyone.
Assistant Editing Workshop
October 14, 2014, 09:14 AM
http://feedproxy.google.com/~r/industryhappenings/...
Paul Whitehead leads this course for assistant editors. Learn what an editor’s assistant is required to do for a picture including technical and workflow needs in the editing room. It covers roles and how assistants can be creatively vital.
HAIDA PAUL (January 20, 1937 – September 22, 201
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http://www.cceditors.ca/haida-paul-january-20-1937...
On the morning of September 25nd, 2014, a group of family members, friends and colleagues gathered in North Vancouver to pay their respects to Haida Paul, who, for much of her extraordinary life, represented better than anyone else the joy of film making and the spirit of irreverence and independence that has always distinguished the
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https://www.youtube.com/watch?v=2B3yxgokjL4
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Nightwatch (1997)
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http://feedproxy.google.com/~r/artofthetitle_rss/~...
“Martin, if all this is what I think it is, there is someone very dangerous standing right behind you in the dark, breathing down your neck.” — Inspector Thomas Cray Author Andrea Codrington discusses the opening titles for Nightwatch, from her 2003 book Kyle Cooper: Monographics.Yet another story about a serial killer, Nightwatch provides fuel for the flame of Cooper's obsession with e...
Why We Need Color Correction
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The tools of our trade have been commoditized. Everyone can perform the job of seasoned video and film professionals, right? If you answered no, do you think the average consumer can articulate the value you add over the...
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