To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Is Resolve 15 now the ultimate "hero suite"?
April 18, 2018, 04:30 AM
https://www.redsharknews.com/post/item/5418-is-res...
There have been very few attempts at hero suites in the film industry. The most notable have been SGO's Mistika and Quantel's Rio. Neither have ever been particularly accessible to independent filmmakers, primarily due to their price tags. Mistika, until very recently, was available either as a single-shot compositor in the form of MambaFX or as part of a turn-key workstation with starting prices in the six-figure range. Rio's pricing was similar.
Secret Genius for Spotify FCPX Workflow
April 18, 2018, 04:30 AM
http://www.fcpworks.com/spotify-fcpx-workflow/
In this exclusive interview, FCPWORKS chats with Ben Jehoshua from Brian Graden Media. Ben recently directed the debut season of Secret Genius, a Spotify documentary series about singer-songwriters. The project was also the first piece of original video content for Spotify and was produced using Final Cut Pro X and Lumaforge’s Jellyfish.
When I’ve been in my bay all day and step out fo
April 17, 2018, 12:57 PM
http://renderplease.com/post/173032237520
Creating the look for Netflix’s The End of the F
April 17, 2018, 12:57 PM
http://postperspective.com/creating-look-netflixs-...
By Adrian Pennington Toby Tomkins co-founder of boutique studio Cheat explains how he worked with 8K rushes shot on Red to devise and execute the stylish look of Netflix’ hit dark comedy The End of the F***ing World. Content in 8K UHD won’t be transmitting or streaming its way to a screen anytime soon but the ultra-high resolution format is already making its mark in production. Continue reading → April 17, 2018 The post Creating the look for Netflix’s The End of the F***ing Worl...
Cutting ‘Nothing to Lose’ — Brazil’s Most
April 17, 2018, 09:20 AM
http://www.avidblogs.com/cutting-nothing-lose-braz...
The article Cutting ‘Nothing to Lose’ — Brazil’s Most Ambitious Feature Film by Francisco Antunes appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
*Cisne negro*, por Andrew Weisblum (ACE) - Primera
April 17, 2018, 05:11 AM
http://saeditores.org/Novedades/Cisne-negro-por-An...
Enfrentarse a una escena con seis o siete horas de material bruto, rodada de modo casi documental siguiendo improvisadamente a un gran grupo de bailarinas, y lograr encontrar el corazón, el elemento patrón que nos permita darle una organización y llegar a buen puerto frente a una situación tan compleja: es el caso que relata detalladamente Andrew Weisblum (ACE) acerca de la edición de Cisne negro (Darren Aronofsky, 2010), trabajo que le valió un Oscar de la Academia a la Mejor Edición.
“[20] Bafici: Nominados a mejor montaje de pelí
April 16, 2018, 11:44 AM
https://edaeditores.org/20-bafici-nominados-a-mejo...
Manuel Ferrari, editor de Penélope, nos cuenta cómo fue el proceso de montaje de la película, nominada al Premio al Mejor montaje de película argentina en competencia, que otorgarán EDA y SAE en la 20ª edición del BAFICI: “Con Agustín Adba tuve la suerte de participar desde muy temprano en el proceso que dio inicio […]
Industry Master Calendar April 15, 2018 – Film F
April 16, 2018, 03:39 AM
http://www.btlnews.com/industry-master-calendar/in...
Welcome Below the Line Subscribers, The Cleveland International Film Festival, Athens International Film Festival, and the Indian Festival of Los Angeles are all ending today, March 15th. The Atlanta Film Festival continues their festivities throughout this week. Starting this Thursday, the 19th, is the RiverRun International Film Festival in North Carolina. The Moet Moment Film […] The post Industry Master Calendar April 15, 2018 – Film Festival Season & Moet Moment appeared first on B...
Build Custom Length Commercial Music Tracks in Fin
April 16, 2018, 03:38 AM
http://www.fcp.co/final-cut-pro/articles/2065-buil...
We are always having to cut or extend music to the right length, always a lot of foot tapping, marker placing and nibbling frames away to get the perfect result. What if there was an easier and more flexible way? FCP Audio has an interesting range of music products that uses 'Soundstacks' that build music in sections.
Cheffe monteuse
April 16, 2018, 03:38 AM
https://journaldunemonteuse.wordpress.com/2018/04/...
Hier soir j’ai été créditée sur le court-métrage Travelers comme « Cheffe monteuse ». J’invite toutes les « cheffes » à faire de même, c’est trop la classe ! Publicités
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