To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Animation de France

September 26, 2014, 04:29 AM

http://animationguildblog.blogspot.ca/2014/09/anim...

France Televisions injects 29 million Euros ($37 million) per year into animated programs. Why do you invest so much in animation?

Insider Insights On Indy Filmmaking: Post Producti

September 26, 2014, 04:29 AM

http://www.bleedingcool.com/2014/08/22/film-school...

Now that you’ve wrapped production and have the illusion that the finish line is in sight, you’re probably very excited to get to the editing. In truth, the editing can be exciting…in small doses. The trick to successful editing is to fight your way through the monotony which will quickly settle in and overcome the bias that you have in hopes of empirically evaluating the actual work being done as well as the economy and success of the actual assembly in the telling of the story.

Geoffrey Richman, ACE Multiple Story Lines in The

September 26, 2014, 04:29 AM

https://www.youtube.com/watch?v=Y2HOsMMwzwU

EditFest NY 2010 - Geoffrey Richman, ACE Discusses a Scene from "The Cove". For more information on Editfest please go to www.editfest.com. Geoff Richman, AC...

La asociación de editores de Río de Janeiro lanz

September 26, 2014, 04:27 AM

http://saeditores.org/Novedades/La-asociacion-de-e...

La Asociación de Profesionales de Edición Audiovisual de Río de Janeiro, edt., lanzó hace unas semanas su sitio web...

Brindis de fin de año

September 26, 2014, 04:27 AM

http://saeditores.org/Novedades/Brindis-de-fin-de-...

El domingo pasado se llevó a cabo el brindis de fin de año de la SAE, con muy buena concurrencia...

Aardman Vet Arthur Sheriff Tapped by Triggerfish

September 25, 2014, 07:18 PM

http://www.animationmagazine.net/people/aardman-ve...

Cape Town-based Triggerfish Animation has appointed Arthur Sheriff as an advisor to the company. Based in London, Sheriff has many years of experience in the film industry as a marketing and publicity strategist, specializing in animation.

What I saw at IBC 2014

September 25, 2014, 07:17 PM

http://icolorist.com/what-i-saw-at-ibc-2014/

to Luke Skywalker in1977 now exists in our own galaxy and can project holographic images right in front of you. I would say 3-D images but that term has been so badly abused and confused with stereoscopic that it seems unfair to use it for an image that you can you walk around. The screen was only the size of a dinner plate but I really could walk behind a projected object and see the back of it. It already has medical and industrial interest and I am told that there is technically no reason why...

Tron (Original 1982 Version) Panel Discussion

September 25, 2014, 01:28 PM

https://www.aotg.com/tron-original-1982-version-panel-discussion/

Panelists include writer-director Steven Lisberger, visual effects supervisors Richard Winn Taylor, II and Harrison Ellenshaw, director of photography Bruce ...

Back to the Future: How the Opening Sequence Was C

September 25, 2014, 01:28 PM

http://www.hollywoodreporter.com/heat-vision/back-...

Next year marks the 30th anniversary of Robert Zemeckis’ finest hour, Back to the Future — as well as, finally, the arrival of the year that Marty and Doc visit in Back to the Future Part II, despite what the Internet will try to tell you at any given opportunity. (They arrive on Oct. 21, 2015.)

Encore adds color grading vet Mark Wilkins to staf

September 25, 2014, 11:26 AM

http://postperspective.com/encore-adds-color-gradi...

Encore team has hired senior colorist Mark Wilkins. He will be working out of company’s Hollywood location. This 30-year industry vet has color graded many television series, including Two and Half Men, The Big Bang Theory, The Simpsons and Silicon Valley. Wilkins comes to Encore, a Deluxe Entertainment Services company, from Technicolor, where he specialized […]The post Encore adds color grading vet Mark Wilkins to staff appeared first on postPerspective - Randi Altman's postPerspective.

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