It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 29, 2012, 10:09 PM
http://broadcastengineering.com/remoteob/parkpost-...
Dutch Broadcast IT service provider ParkPost has integrated two VENICE Media Production Hubs from DVS into the OB vans of its sister company, DutchView. The ParkPost team now benefits from a lean IT infrastructure. The newly equipped OB vans were especially busy during the summer: VENICE was responsible for the ingest of the recorded material at the 2012 UEFA European Football Championship, Tour de France and the Olympic Games that were covered at the RTL "De Zomer Van 4" (Summer of 4)...
#post#production#park post#venic#hubNovember 29, 2012, 03:03 PM
https://www.aotg.com/2g-digital-deploys-signiant-file-transfer-software/
2G Digital Stays on Cutting Edge of Post and Fulfillment With File-Based Media Transfer Software
November 29, 2012, 03:02 PM
http://www.videoguys.com/Blog/E/Red+Giant+Welcomes...
After Red Giant took over PluralEyes, the popular syncing software, it wasn't clear what they would do with the program or how they would support it. With the newest software update, 3.1, it looks like they are committed to making it as easy to use as possible, and bringing it to as many computers as possible. While Windows support will be coming in version 3.2, the current update addresses a few of the remaining concerns for current users...
#avid#pluraleyes#red giant#media composer#mc6November 29, 2012, 03:02 PM
http://www.videoguys.com/Blog/E/Sony+Vegas+Pro+12/...
Sony's Vegas Pro 12 was released a few weeks ago, and in my opinion, this is the most substantial update the application has seen between major releases in the last few years.
#nle#vegas#sony vegas pro 12November 29, 2012, 02:59 PM
http://www.btlnews.com/news/hula-post-production-t...
In a project that spanned nearly four years and half the globe, Hula Post Production supplied editorial systems and support for Life of Pi - the new 3D film from 20th Century Fox and Academy Award-winning director Ang Lee. For the project, Hula Post Production set up and maintained editorial operations in Taiwan, India, Canada, New York and Los Angeles.
#life of pi#post#hulaNovember 29, 2012, 02:59 PM
http://feedproxy.google.com/~r/industryhappenings/...
This two-day course covers editing and effects in the Avid Media Composer. Class time is divided between demonstration and hands-on-practice. This course is also appropriate for Avid Symphony users. Topics include: Introduction to Effects, Creating Motion Effects, Introduction to Compositing, Nesting Effects, Perfomance and Rendering, Introduction to Finishing, Creating with Avid Marquee and Review and Approval...
#avid#mc6#nle#mc#media composer 6November 29, 2012, 02:56 PM
http://www.macprovideo.com/hub/final-cut/dual-view...
Final Cut Pro X 10.0.6 introduces Dual Viewers. We have the original Viewer as always. But we now have an Event Browser Viewer. This viewer window is specific to media in the Event Browser and is pretty nice. Let’s go through it briefly.
#fcpx#final cut pro x#nle#appleNovember 29, 2012, 02:55 PM
http://mediastorm.com/blog/2012/11/29/mediastorm-g...
This article is part of a new series of posts with tips and tricks from our producers’ experience working with Adobe Premiere Pro after years of working in Final Cut Pro. To read more about why we made the switch, check out this post.
#adobe#cs6#premiere pro#nleNovember 29, 2012, 02:53 PM
http://www.postmagazine.com/Post-Blog/2012/Novembe...
In the past, the sheer horsepower of our computers was far less, so much so, that most computers could only play back video using smaller image sizes or lower frame rates. (Anyone remember watching computer videos that were 320x240? I remember building a business where the only videos we could create were that size.)
#editor#imacs#video editingNovember 29, 2012, 02:51 PM
http://www.videoworldinsider.com/topics/video-worl...
Vidyo, Inc., has announced that it has been offered a position as a licensor in MPEG LA’s H. 264 patent pool. The license provides access to essential patent rights for the AVC/H.264 digital video-coding standard. The standard is currently being used in everything from set-top boxes, media players, and other personal computer software.
#h264#vidyo#licensor#patent
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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