It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 6, 2014, 08:12 AM
http://www.mcelhearn.com/audiences-hate-modern-cla...
“For decades critics of modern classical music have been derided as philistines for failing to grasp the subtleties of the chaotic sounding compositions, but there may now be an explanation for why many audiences find them so difficult to listen to.
September 6, 2014, 08:11 AM
https://www.youtube.com/watch?v=PCPya43FHKI
Taken from Shortnoise 2 for KONTAKT 5. Visit http://www.prodyon.net to download the FREE Instrument of the Day! Shortnoise 2 Release Date: 01-10-14 Get the F...
September 6, 2014, 08:11 AM
http://www.asoundeffect.com/capturing-the-sound-of...
Frank Bry has worked as an independent sound effect recordist in his company – aptly named The Recordist – since 1993. He has also been recording thunderstorms for the past 15 years – and now, he’s busy putting the final touches to his Thunderstorm III sound effect library.
September 5, 2014, 01:23 PM
http://lesterbanks.com/2014/09/youre-effects-anima...
Have a look at how to set up a bend in an arm with toonboom's rigging and deformation tools
September 5, 2014, 04:36 AM
http://vanhurkman.com/wordpress/?p=3058
I was fortunate enough to be hired to consult with Jennifer Mendes, the colorist at Lisbon post production facility Loudness Films. Comprised of four principals (Branko Neskov doing sound, Pedro Ribeiro doing editing, Jennifer Mendes doing color, and Nuno Oliveira taking care of the business side of things) this two-story facility has fantastic mixing, recording, and grading rooms designed by Joules Newell (Newell Acoustic Engineering) whom I also happened to meet as he was working on the additi...
September 5, 2014, 04:36 AM
http://www.animationmagazine.net/licensing/roots-o...
Canadian apparel and lifestyle brand Roots has partnered with the National Film Board of Canada (NFB) to celebrate 75 years of Oscar-winning public film production by creating a limited edition collection featuring the nation’s most beloved animation classics, as well as the NFB’s iconic logo. Now you can literally wear your love for independent Canuck animation on your sleeve!
September 5, 2014, 04:35 AM
http://filmmakeriq.com/2014/09/learning-to-let-it-...
Composers Kristen Anderson-Lopez and Robert Lopez discuss the process of coming up with Frozen’s signature song: “Let it Go”
September 5, 2014, 04:34 AM
http://www.scriptmag.com/features/legally-speaking...
Continuing on from part one, we’ll look more closely into the legal and business issues that arise from representation by either a Union or a Guild. Most of the following applies pretty much equally whether the representation is Union or Guild (hence the nomenclature adopted below, Union/Guild.) Hopefully you remember the distinction from the last time. Will there be a test? It depends…
September 4, 2014, 05:20 PM
http://www.digitalproductionbuzz.com/2014/09/digit...
On the Digital Production Buzz, Larry Jordan and Michael Horton talk with guests Joel Stoner, Patricia Siqueriros, and Cathy Aron: Manage Massive Quantities of Content with Studio Suite Using Creativity to Encourage At-risk Kids to Continue School Managing Digital Media Assets and Protecting Copyright
September 4, 2014, 05:19 PM
http://postperspective.com/outpost-studios-afforda...
By Jennifer Walden Foreign distribution companies insist on a fully formed M&E mix, complete with Foley, but for low-budget films there often isn’t room for it. It’s a catch-22. Not footing the bill for Foley work can keep indie filmmakers from making money in the global market. Dave Nelson, owner/supervising sound editor/re-recording mixer at Outpost […]The post Outpost Studios on affordable Foley for indies appeared first on postPerspective - Randi Altman's postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.