It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 6, 2014, 03:50 AM
http://news.doddleme.com/equipment/visual-effects-...
It’s been a little over a year since visual effects artists picketed the Oscars to bring the growing crisis in the industry to light. So, after one year of crisis, where is the industry? Since then, we’ve seen numerous high profile effects houses go under, and some simply moving out of the country. Is there a strategy to not only combat it, but to move forward and thrive? One effects artist thinks he’s hit on it.
June 6, 2014, 03:50 AM
http://directedbychuckjones.tumblr.com/post/879179...
Thrilled to have cartoonists Eric & Bill Teitelbaum at the Chuck Jones Gallery—Santa Fe this Saturday, June 7, from 6 to 9 PM. In the area? Stop by and meet two of the swellest swells there are this side of the Rocky Mountains!
June 6, 2014, 03:50 AM
https://vfxsoldier.wordpress.com/2014/06/05/casual...
So it finally happened. Sony Pictures Imageworks is moving all of its work to Vancouver signaling an end of an era: Variety: Sony Imageworks Moving HQ to Vancouver The Hollywood Reporter: Sony's VFX House Imageworks Moving Headquarters to Vancouver LA Times: Effects firm Sony Pictures Imageworks leaving L.A. area for Canada Deadline: Sony Imageworks’ Flight To Vancouver Latest Blow In VFX…
June 6, 2014, 03:50 AM
http://soundworkscollection.com/news/the-house-of-...
Varèse Sarabande Records will release THE HOUSE OF CARDS: SEASON 2 – Original Motion Picture Soundtrack as a 2 disc set digitally and on CD June 17th. The soundtrack features original score composed by Jeff Beal (MONK, BLACKFISH).
June 6, 2014, 03:50 AM
http://www.digitaltrends.com/computing/lacie-revea...
Most external hard drives live life in relative luxury: They remain on their owners’ desks or in drawers, and are generally kept safe from any harm, save for accidental drops and spills.
June 6, 2014, 03:46 AM
https://vfxsoldier.wordpress.com/2014/06/05/quebec...
The Quebec government announced this week that it would cut subsidies across the board by 20%. This includes film and games subsidies...
June 5, 2014, 12:48 PM
http://designingsound.org/2014/06/the-negative-spa...
Seong Moy, my drawing professor at City College of New York, had students lightly shade their sketchpads with hand-smeared charcoal to prepare a background for the drawing. This neutral background helped to create an illusory sense of depth in a 2-dimensional medium. The negative space of the drawing was activated by this treatment. Had there been no shading, no defined background, the objects in the drawing would not have existed anywhere, but would have been only representations, floating and ...
June 5, 2014, 11:39 AM
https://www.aotg.com/digital-domain-work-on-disneys-maleficent/
"Angelina Jolie stars in Disney's new Maleficent, featuring a forest world of detailed visual effects. Mike Seymour delves into how facial movement experts Digital Domain, worked to re-create realistic, fully digital counterparts to the story's three fairies."
#visual fx#digital domain#place tags herevfx#maleficentJune 5, 2014, 09:31 AM
http://renderplease.tumblr.com/post/87900953540
My boss is like:
June 5, 2014, 04:32 AM
http://editorunderconstruction.blogspot.com/2014/0...
Tras graduarse en la Yough High School en 1979, Douglas Crise trabajó cortando carne en Shop ´n Save en Mt. Pleasant, trabajando mucho en la sombra. Decidó que no quería que esa fuese su carrera (especialmente después de que le cortaran el trabajo de completa a media jornada) y se metió en la University of Pittsburgh.Empezó en Greensburg, se trasladó al campus principal para hacer sus estudios de cine e hizo muchas clases en Pittsburgh Filmmakers. ¨La única clase que no hice fue la...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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