It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 2, 2014, 12:17 PM
http://www.avidblogs.com/avid-customer-association...
The article Avid Customer Association: Mark Your Calendar for Avid Connect Europe 2014 by Keli Callaghan appeared first on Avid Blogs - Get the music and post production tutorials and industry insight you need to bring great stories to life—read Avid Blogs..
June 2, 2014, 12:17 PM
http://postperspective.com/rushes-cooks-interactiv...
The CG team at London’s Rushes created a range of kitchen designs for an interactive experience on IKEA’s website called The Truth About Kitchens. Each of the themed designs shows visitors information about how we spend time in our kitchens. Working closely with agency Mother and IKEA’s kitchen designers, Rushes created six kitchens that seamlessly transform […]The post Rushes cooks up interactive kitchen experience for IKEA appeared first on postPerspective - Randi Altman's postPe...
June 2, 2014, 12:16 PM
http://www.deadline.com/2014/06/editor-actor-frank...
Frank Mazzola, whose film-editing credits include Demon Seed and Peter Fonda’s The Hired Hand and who played Crunch in Rebel Without a Cause, has been missing since around 10 PM Friday. He disappeared after being dropped off at his home in the 8700 block of Shoreham Dr. in West Hollywood, Calif. The 79-year-old Mazzola suffers from Alzheimer’s. “He will respond to his name,” said his wife of 19 years, Catherine Hader, who has been searching for him with police since the weekend.
June 2, 2014, 12:16 PM
http://www.storagereview.com/crucial_mx100_ssd_rev...
The Crucial MX100 (a brand of Micron) is a mainstream consumer SSD targeted toward users who are looking to upgrade PCs or laptops from hard drives to an SSD on a budget.
June 2, 2014, 09:36 AM
http://blog.dvfanatics.com/2014/06/great-online-ad...
Like a lot of editors, when I run into challenges that have me stumped, I often turn to the web for an answer. Over the years I have collected a number of links that have helped me in the past.
June 2, 2014, 09:36 AM
http://www.btlnews.com/crafts/post-production/tech...
Finishing colorist Anthony Raffaele joined Technicolor PostWorks’ roster of film and television artists. Formerly a senior colorist at Deluxe, New York, Raffaele arrived with credits in independent film and episodic television. He served as the finishing colorist on the CBS series Blue Bloods for the past four seasons, and has worked with cinematographers including Dean Cundey, Igor Martinovic, Javier Aguirresarobe, Anette Haellmigk and Rachel Morrison.
June 2, 2014, 04:39 AM
http://nofilmschool.com/2014/06/eq-tips-tricks-tac...
The art of manipulating sound is an occult practice, mysterious and daunting to outsiders, though in reality, like almost everything, a little education goes a long way and the information is out there if you look for it; since many filmmakers, though, are taught from the beginning (at least I was), to shoot MOS and concentrate solely on the visual, with sound a distant second, it can be a blind spot in their skill set, but a vital skill.
June 2, 2014, 04:39 AM
https://www.aotg.com/art-of-previs-series-of-videos/
Video 1: The Third Floor used the Xsens MVN motion capture system to do previs for X-Men: First Class.
June 2, 2014, 04:39 AM
http://www.cuttingedge.com.au/projects/i-frankenst...
In the first half of 2014, Cutting Edge worked closely on Stuart Beattie’s recent horror/sci-fi film I, Frankenstein.
June 2, 2014, 04:38 AM
http://animationguildblog.blogspot.ca/2014/06/worl...
Then there are some CG-heavy movies that have been reaping large numbers...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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