It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 21, 2020, 01:41 PM
https://www.provideocoalition.com/quad-split-multi...
This week’s MacBreak Studio requires a bit of a backstory. At the end of January, Steve Martin and I taught some sessions at Vlog University, a conference designed and hosted by Justine Ezarik (iJustine) and produced by FMC for YouTubers looking to up their game held at the Staples Center in Los Angeles. The week before, Filmic Pro’s DoubleTake app was released.
February 21, 2020, 01:41 PM
https://www.redsharknews.com/technology/item/7001-...
Samsung’s new ISOCELL Bright HM1 chip delivers 108MP pictures and 8K videos at 24fps even under extreme lighting conditions. SamsungOSOCELL Bright HM1Samsung Galaxy S20 UltraXiaomi CC9 ProMWC
February 21, 2020, 01:41 PM
http://www.fcp.co/final-cut-pro/articles/2243-fina...
The real growth in production today is not at Hollywood studios or the creation of new broadcast channels, it's online. Digital studio Kin publishes hundreds of videos yearly. With over 5M followers and 15 million monthly views, Final Cut Pro X is the NLE that's allowed them to achieve such a prolific output.
February 20, 2020, 10:52 PM
https://www.provideocoalition.com/art-of-the-cut-p...
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows and about their work on some of the biggest films and TV shows of the year.
February 20, 2020, 05:10 PM
http://www.cgw.com/Press-Center/News/2020/Red-Gian...
PORTLAND, OR – Red Giant has just released an update to Universe, its collection of GPU-accelerated plugins for editors and motion graphics artists. Universe 3.2 delivers five brand new tools for creating intricate animations, building beautiful transitions, stylizing imagery and more.
February 19, 2020, 01:33 PM
http://www.postmagazine.com/Press-Center/Daily-New...
WESTCHESTER, NY — Independent Foley studio Alchemy Post Sound (www.alchemypostsound.com) has elevated Ryan Collison to partner, joining founders Leslie Bloome (Foley artist) and Andrea Bloome (CEO). Part of the Alchemy team for the past six years, Collison is an Emmy Award-winning Foley mixer whose credits include The Last Days of American Crime, The Invisible Man, Harry Haft and Fosse/Verdon. His promotion comes as the studio prepares to expand.
February 19, 2020, 01:33 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — Editing house Stitch (www.stitchediting.tv) has added editors Sam Sneade, Gareth McEwen, Sacha Szwarc, Carlos Font Clos, Rich Woolway and Sam Allen, along with executive producer Kirsty Oldfield, to its team. The additions come from edit house Speade, which has been in business for 25 years, working across feature films, commercial, shorts and music videos.
February 19, 2020, 01:33 PM
https://www.broadcastbeat.com/deluxe-toronto-takes...
The fourth season of fan-favorite sci-fi series “The Expanse” ventures into new territory, both on-screen and off. Along with introducing new locations, and spaceships, the latest season was finished in HDR for the first time and is being released via Amazon Prime Video. Contributing to the series’ fresh look and feel this season, Deluxe Toronto ... The post Deluxe Toronto Takes “The Expanse” into HDR for Season Four appeared first on NAB Show News | 2020 NAB Show Media Partner an...
February 19, 2020, 01:32 PM
https://www.redsharknews.com/post/item/7002-truly-...
With the latest LumaFusion update you can now shoot and edit on your iOS device and then export and finish in FCP X. Mobile editing just took another step forward. LumaFusionLuma Touchmobile editingGNARBOXGNARBOX 20FCP XFinal Cut Pro 10NLE
February 18, 2020, 08:27 PM
https://www.provideocoalition.com/slots-scene-dete...
ne of my favorite concepts inside of Scratch is Slots. It’s something that, for new users, can seem a little confusing, but once you understand the way Scratch works, they are a very clever addition that I wish was in other applications. At their most basic, Slots hold clips. The clips that make up your timeline. Think of them like little individual bins that hold your main clip that is seen in your timeline at the very bottom.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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