It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 8, 2014, 12:25 PM
http://www.indiewire.com/article/visual-effects-ma...
Douglas Trumbull, the Academy-Award winning visual master behind such films as "2001: A Space Odyssey," "Close Encounters of the Third Kind," "Blade Runner," "Star Trek: The Motion Picture" and "The Tree of Life," is about to debut his latest innovation in cinematic spectacle tomorrow at the Seattle Cinerama Sci-Fi Film Festival.
May 8, 2014, 12:25 PM
http://filmmakeriq.com/2014/05/the-miniature-effec...
Lorne Peterson, Danny Wagner, and Fon Davis talk about the miniature effects for the STAR WARS prequels in this deleted scene from, Sense of Scale...
May 8, 2014, 09:48 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“I want to make beautiful things, even if nobody cares, as opposed to ugly things. That’s my intent.” — Saul Bass To celebrate the birthday of legendary graphic designer and filmmaker Saul Bass, enjoy this brief visual history of some of Bass’s most celebrated work.Saul Bass: A Life in Film & Design, by Jennifer Bass and Pat Kirkham, is available on Amazon. RSS & Email Subsc...
May 8, 2014, 09:46 AM
https://www.aotg.com/vfx-breakdown-for-after-earth/
VFX breakdown for AE by iloura VFX
May 8, 2014, 04:35 AM
http://vfxsoldier.wordpress.com/2014/05/08/animati...
Two years ago I wrote a post observing a huge milestone: Membership for the Animation Guild hit an all-time high with 2700 active members. They've kept track of these numbers for 25 years and this week the guild announced a new record: There are now 3,354 members. Opponents over the years argued that unions were…
May 7, 2014, 06:25 PM
https://www.aotg.com/the-amazing-spider-man-2-dematerialization-shot/
The Amazing Spider-Man 2 - Dematerialization Shot Build. Narrated by David Smith, Digital FX Supervisor. We've always known that Spider-Man's most important ...
May 7, 2014, 06:25 PM
https://www.aotg.com/ves-town-hall-series-dp-and-visual-effects-best/
An intimate conversation with Wally Pfister, ASC and Mike Chambers on how best to work together. Academy Award-winning Cinematographer Wally Pfister, ASC and...
May 7, 2014, 04:31 PM
http://postperspective.com/creative-sound-boost-au...
Paris-based Creative Sound, a full-service post house serving the film and TV production markets, has added three Solid State Logic C300 HD Master Studio Systems and one C10 HD to its audio post offerings. The studio has an extensive history of creating French language versions of international films, including such recent projects as The King’s […]The post Creative Sound boosts audio post services with new gear appeared first on postPerspective - Randi Altman's postPerspective.
May 7, 2014, 04:30 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — Erik Aadahl and Ethan Van der Ryn, the E2 (www.e2sound.com) sound design team that contributed to the new Godzilla film, used Sanken’s CO-100K microphone to help create the roar of the legendary monster, as well as for an array of sci-fi sounds.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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