To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
10 Adobe Premiere Pro Tutorials Video Editors Need
March 2, 2018, 12:16 PM
https://www.amazingmusictracks.com/blog/10-premier...
We start with Premiere Pro timeline navigation and sum up with export settings. Even if some of the topics are familiar, these guys give some really good tips along the way.
#adobe#post production#video editing#place tags here: premiere proCut with FCPX: British Short Film “The Silent Ch
March 2, 2018, 05:25 AM
http://www.fcp.co/final-cut-pro/articles/2046-cut-...
When British actress Rachel Shenton started writing "The Silent Child" in May 2016, she could not even remotely imagine that the short movie based on her screenplay would have such a huge impact on people all over the world.
Welcoming someone to the show like
March 1, 2018, 07:37 PM
http://renderplease.com/post/171418411090
Editor Sam Pollard on Cutting and Re-cutting
March 1, 2018, 10:39 AM
https://www.aotg.com/editor-sam-pollard-on-cutting-and-re-cutting/
His first assignment as a documentary producer came in 1989 for Henry Hampton's Blackside production "Eyes On The Prize II: America at the Racial Crossroads." For one of his episodes in this series, he received an Emmy.
Happy Birthday: After Effects wird 25 Jahre alt
March 1, 2018, 10:38 AM
http://blogs.adobe.com/creative/after-effects-25-j...
After Effects wird 25! Ein Grund für uns zurück auf die Anfänge von After Effects, hin zum aktuellen Hollywood-Erfolg und der Zukunft von Motion Grafics und VFX zu blicken. Sattgrüne Vegetation, blutige Szenen, kolossale Dinosaurier, die ein prähistorisches Land durchstreifen. Im Juni 1993 revolutionierte Jurassic Park die Filmindustrie mit aufregend realistischen visuellen Effekten (VFX). After Effects hatte erst im Januar offiziell debütiert, und obwohl die Version 1.0 recht einfach...
What to know about the Oscars this Sunday
March 1, 2018, 10:37 AM
https://www.hollywoodreporter.com/news/are-oscars-...
The 90th annual Academy Awards return March 4 — one year after an incorrectly announced best picture winner dominated post-show headlines. But this Oscars ceremony is significant not just for last year's slip-up: With the strong presence of African-American-created films like Get Out and Mudbound, it is also a year of firsts.
6 Below - the first 6K natively-edited feature fil
March 1, 2018, 06:52 AM
https://www.provideocoalition.com/6k-native-on-6be...
Vashi Nedomansky edited the film “6 Below: Miracle on the Mountain” which is the first feature film edited natively in 6K resolution. While visiting Sundance 2018, I had a chance to sit down with Vashi and talk through the creative and technical challenges of post-production on this film.
2018 HPA Tech Retreat: What We Heard About HDR, HF
February 28, 2018, 05:53 PM
http://www.studiodaily.com/2018/02/hpa-tech-retrea...
The HPA Tech Retreat this year was bigger than ever and just as fascinating, as it touched on topics as disparate as high dynamic range, high frame rates, ACES, artificial intelligence and computer vision. Here’s a high-level summary. High Dynamic Range (HDR) Panelists described the ongoing integration of HDR into production and post pipelines, as well […] The post 2018 HPA Tech Retreat: What We Heard About HDR, HFR, ATSC 3.0, ACESnext and More appeared first on Studio Daily.
Behind the Title: Arcade Edit’s Ali Mao
February 28, 2018, 01:41 PM
http://postperspective.com/behind-title-arcade-edi...
NAME: Ali Mao COMPANY: Arcade Edit in New York City CAN YOU DESCRIBE YOUR COMPANY? Arcade is a film and television editorial house with offices located in Los Angeles and New York City. WHAT’S YOUR JOB TITLE? Continue reading → February 28, 2018 The post Behind the Title: Arcade Edit’s Ali Mao appeared first on Randi Altman's postPerspective.
Newest from AOTG.com
-
Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
-
Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
-
Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
Site Links
Tools
Sister Sites
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.