It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 21, 2014, 07:21 AM
http://vfxsoldier.wordpress.com/2014/04/21/la-mayo...
The LA Daily News reports on some recommendations by the LA Mayor's Film Czar office at City Hall which you can hear at the 16:25 mark here...
April 21, 2014, 07:21 AM
http://michaelcardillo.com/soundmind/?p=37
My newest plugin is something I can’t help but rave about. It’s called Vitamin from Waves and once you try it, you’ll discover how essential it is. This particular review (and plugin) should appeal to anyone who mixes music (live or in studio) or audio post for TV/film as well as sound effects designers. I have […]
April 20, 2014, 08:28 PM
http://provideocoalition.com/ssimmons/story/pvc-at...
Sure Blackmagic Design had important new camera surprises (covered here by Matt) but it was the new features of DaVinci Resolve that most caught my eye. Why? Because they have added even more editorial tools to Resolve v11 and are building it into what looks to be a quite capable editor.
April 19, 2014, 02:28 PM
http://www.artofvfx.com/?p=6524
Oliver Hohn is working for over 5 years in the compositing at RISE. He has participated on various movies such as PERCY JACKSON & THE OLYMPIANS: THE LIGHTNING THIEF, CAPTAIN AMERICA: THE FIRST AVENGER, CLOUD ATLAS or IRON MAN 3.
April 19, 2014, 09:32 AM
http://animationguildblog.blogspot.ca/2014/04/runn...
... Toys, dolls, and clothes have always been a big part of strategy at Disney, the world’s largest licensing company. Even so, it’s hit an unexpected merchandise jackpot with Elsa, the Snow Queen of Arendelle, and her ice gown. “It took everyone by surprise worldwide,” says Stephen Berman, chief executive officer at Jakks Pacific (JAKK), a manufacturer that sells to chains such as Wal-Mart Stores (WMT) and Target (TGT). “This is a new Disney princess franchise. It happens maybe once o...
April 18, 2014, 08:35 PM
http://blogs.adobe.com/aftereffects/2014/04/seamle...
Paul and Christina Graff of Crazy Horse Effects (CHE) are visual effects aficionados, with projects to their credit such as There Will Be Blood and Life of Pi. They also work with a team of some of the best matte painters and designers in the visual effects industry, and are recognized for their award-winning compositing. They recently created some seamless visual effects for The Wolf of Wall Street, directed by Martin Scorsese, with Oscar-winning VFX supervisor Rob Legato overseeing th...
April 18, 2014, 04:21 PM
http://renderplease.tumblr.com/post/83109185902
I’m like:
April 18, 2014, 04:20 PM
https://www.aotg.com/bill-pankow-a-c-e-discusses-work/
Editor Bill Pankow, A.C.E. expresses his amazement with the opportunity to work as Jerry Greenberg, A.C.E.'s assistant (Note: Jerry is sitting directly next to him.) From the June 8th event Inside the Cutting Room: Sight, Sound & Story produced by Manhattan Edit Workshop.Panelists (from left to right)
April 18, 2014, 01:50 PM
http://www.lafcpug.org/user_schedule.html
Join us as Adobe, Digital Anarchy and Multi-monitor Editorial and Finishing Workflow come to lacpug
#adobe#digital anarchy#hollywood#user groupApril 18, 2014, 12:52 PM
https://www.aotg.com/cgi-vfx-showreels-hd-creature-animation-reel/
Check out this incredibly inspirational "Creature Animation Showreel" by the talented Jean-Renaud Gauthier! Jean-Renaud is currently Senior Character Animato...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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