It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 6, 2019, 02:09 PM
https://www.premiumbeat.com/blog/davinci-resolve-k...
In this hands-on review, we take a look at Blackmagic's DaVinci Resolve keyboard and how it can increase your editing efficiency.
December 6, 2019, 02:08 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — The Academy of Motion Picture Arts and Sciences (oscars.org) has announced that 20 films are in the running in the Visual Effects category for the 92nd Academy Awards. The Academy’s Visual Effects Branch Executive Committee determined the preliminary list of films eligible for further awards consideration. Later this month, the committee will select a shortlist of 10 films that will advance to nominations voting.
December 6, 2019, 02:08 PM
https://www.youtube.com/watch?v=r2YDpC-Vx44
Getting started with the Avid Titler + and creating a simple lower third for all high resolution formats. https://www.avid.com/mediacomposer Follow Avid Media Composer: https://facebook.com/avidmediacomposer https://instagram.com/avid.mediacomposer https://twitter.com/mediacomposer https://www.linkedin.com/company/avid-technology https://www.snapchat.com/add/avidtechnology
December 6, 2019, 02:08 PM
https://lesterbanks.com/2019/12/how-to-instance-ob...
Tobias Steiner shows how to set up particle instances for objects when using Redshift. Often rendering a scene that involves a lot of the same type of objects will be more efficient by using instancing.
December 6, 2019, 02:08 PM
https://lesterbanks.com/2019/12/capture-the-90s-st...
FlowTuts shows how to animate 90’s style of poster art in After Effects. Bright colors, cyber-style type, and glitch animation are all things we can attribute to 90’s style animations. A lot of it came
December 6, 2019, 02:07 PM
https://postperspective.com/creative-outpost-buys-...
After acquiring the studio assets from now-closed Angell Sound, commercial audio house Creative Outpost is now expanding its VFX and audio offerings by entering the world of long-form audio. Already in picture post on its first Netflix series, the company is now open for long-form ADR, mix and review bookings. “Space is at a premium in central Soho, Continue reading → December 5, 2019 The post Creative Outpost buys Dolby-certified studios, takes on long-form appeared first on postPers...
December 6, 2019, 02:07 PM
https://variety.com/2019/artisans/awards/the-irish...
Thelma Schoonmaker is Scorsese's go-to editor. In this exclusive short, she goes behind-the-scenes of editing "The Irishman."
December 4, 2019, 02:25 PM
https://postperspective.com/exclusive-video-the-ir...
Martin Scorsese’s The Irishman, starring Robert De Niro, Al Pacino and Joe Pesci, tells the story of organized crime in post-war America as seen through the eyes of World War II veteran Frank Sheeran (DeNiro), a hustler and hitman who worked alongside some of the most notorious figures of the 20th century. In the film, Continue reading → December 3, 2019 The post Video: The Irishman’s focused and intimate sound mixing appeared first on postPerspective.
December 4, 2019, 02:25 PM
https://www.artofvfx.com/oscars-2019-the-20-conten...
The VFX Race has just started with the announcement by The Academy of Motion Picture Arts and Sciences of the 20 contenders for Best Visual Effects...
December 4, 2019, 02:24 PM
https://www.studiodaily.com/2019/12/pixar-expands-...
Pixar Animation Studios said RenderMan version 23, which it released today, features enhanced support for Pixar’s Universal Scene Description (USD) format and integration with SideFx Houdini 18 — including Solaris, Houdini’s new USD-based visual editor for lookdev, layout and lighting using USD. Headline features include native support for OpenVDB version 5.2, better support for Alembic […] The post Pixar Expands USD Support, Integrates with SideFX Solaris in RenderMan 23 appeared f...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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