To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Apple – Final Cut Pro X – What’s New

March 19, 2014, 07:54 AM

http://dvcreators.net/apple-final-cut-pro-x-whats-...

Edit multichannel audio faster than ever. A simple keystroke reveals separate audio channels when you need them and collapses them when you don’t — right in the timeline. Easily disable individual channels or select ranges for fine control of timing and volume.

5 Tips for Working in High Frame Rates

March 19, 2014, 07:54 AM

http://www.productionhub.com/blog/post/5-tips-for-...

Learn from Matt Drake and his DP Matt Novello, the team behind Bullet Theory Films. They recently shot a commercial for Sinter Fire Bullets’ frangible ammo. The team wanted to avoid using CGI effects, so they chose to shoot with the Phantom v711 at extremely high frame rates (up to 80,000 fps) to capture the live bullets.

New Logic Pro X Skins – EXS24, Sylenth1, Cubase.

March 19, 2014, 07:54 AM

http://logic-pro-expert.com/logic-pro-blog/2014/03...

Several new free Logic Pro X skins have been released by Logic Pro X GUI modding scene member fcasoria, and Metthew_30 has released 3 new paid themes. An update.

A series of tutorials on Color Grading in FCPX

March 19, 2014, 07:53 AM

http://dvcreators.net/final-cut-pro-x-color-correc...

Final Cut Pro X Color Correction Tutorial from Color Grading Central

Learn the Basics of Color Correction

March 19, 2014, 07:53 AM

http://dvcreators.net/learn-the-basics-of-color-co...

Learn the Basics of Color Correction with a Free Video Tutorial | DVcreators.net

The Academy Awards Costs How Much?

March 18, 2014, 10:04 PM

http://www.hollywoodnews.com/2014/03/18/the-academ...

In the days before this year’s Oscars show, Cheryl Boone Isaacs, president of the Academy of Motion Picture Arts and Sciences, released the nonprofit organization’s annual report and it was enough to raise some eyebrows to learn...

Dreamgirls winning Sound Oscar

March 18, 2014, 10:03 PM

https://www.aotg.com/dreamgirls-winning-sound-oscar/

James McAvoy and Jessica Biel presenting Michael Minkler, Bob Beemer and Willie Burton the Oscar® for Sound Mixing for "Dreamgirls" at the 79th Academy Award...

Interview with 12 Years a Slave Editor Joe Walker

March 18, 2014, 09:34 PM

http://provideocoalition.com/shullfish/story/the-a...

It’s not often that Hollywood’s stars publicly recognize the great stewardship that an editor of a film has of their performance. But it’s a long journey between what an actor emotes in front of a camera and the reception of that performance by an audience. The director certainly has a strong influence on that performance, but the editor (with the director’s guidance) is the final gatekeeper of the performance the audience sees and the context in which it’s seen.

#editing#academy awards
Tellefsen on Editing Kids

March 18, 2014, 03:30 PM

https://www.aotg.com/tellefsen-on-editing-kids/

In this episode, Gordon talks to Christopher about editing the movie Kids and talks about Art and photography's influence on him.

Chris Sanders and Kirk DeMicco Talk The Croods

March 18, 2014, 03:28 PM

http://www.awn.com/animationworld/chris-sanders-an...

With their colorful tale of a prehistoric family carving out a new future for themselves, directors Kirk DeMicco and Chris Sanders have changed the course of their own careers. As the ninth highest-grossing film of 2013 and an Oscar nominee for Best Animated Feature, The Croods is proof positive that they’ve got a good collaboration going and DreamWorks isn’t looking to mess with it. A sequel has been scheduled and the duo are on-board to helm it. Though they didn’t win the Oscar, they’v...

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