To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
How To Shoot Your Establishing Shot
February 14, 2018, 11:31 AM
https://www.amazingmusictracks.com/blog/shooting-y...
Check out how to prepare every scene with these quick tips on the establishing shot.
#production#filmmaking#shots#place tags here: film#establishing shot5 Tips For Throwing A Rough Cut Screening Party
February 14, 2018, 10:20 AM
https://www.filmmakingstuff.com/filmmaking-5-tips-...
No matter how awesome your movie, there are always ways to improve it. Having spent the greater part of my career working in film distribution, most rough cuts are ten minutes too long. But if you are like most filmmakers, you’re too close to the material to know what to cut and what to keep.
Oscar Nominees Reveal Their Cutting Edge
February 14, 2018, 10:20 AM
http://variety.com/2018/film/awards/oscar-nominees...
Ask people to highlight great film editing and they’ll often point to a blockbuster with fast cuts set against a big action backdrop. But this year the list of Academy Award nominees in this category are mostly indie films, with one notable exception, that run at their own unique pace.
Digital Production Buzz – February 15, 2018
February 14, 2018, 06:27 AM
http://www.digitalproductionbuzz.com/2018/02/digit...
This week The BuZZ discusses an important and politically-charged subject: net neutrality. Since many of us distribute our projects via the web, it makes sense for all of us to understand the changes that are coming. We are delighted to be joined by Commissioner Brendan Carr from the FCC, and our other guests, who discuss what net neutrality is, what the new policy will be and what it means for all of us. Join host Larry Jordan as he talks with Commissioner Carr, Jonathan Handel, Philip Ho...
*Syriana*, por Tim Squyres (ACE)
February 14, 2018, 06:27 AM
http://saeditores.org/Novedades/Syriana-por-Tim-Sq...
¿Cómo hacer un corte forzados por alguna circunstancia, y que parezca que tuvimos un buen motivo para realizarlo? A partir de ese planteo, Tim Squyres (ACE) -editor de Syriana (Stephen Gaghan, 2005)- reflexiona sobre la edición de diálogos, la cuestión acerca de cuándo cortar y a quién mostrar en cada momento de la charla, proponiendo como guía lo que nos va sugiriendo el propio material.
Managing Multiple Open Adobe Premiere Pro Projects
February 13, 2018, 01:19 PM
http://feedproxy.google.com/~r/richardharringtonbl...
If you came to Adobe Premier Pro from Final Cut Pro seven or earlier, there was a feature thatyou may have gotten used that you missed. That was the ability to have multiple projects open at the same time. A lot of folks like to do this so that they can easily browse multiple projects and just move things between bins as needed to quickly access content. Now this type of workflow is supported in Premier Pro as of the 2018 edition. However, it's a little bit complex and I want to walk yo...
Making the Cut: Robert Leighton — A Rewarding Lo
February 13, 2018, 10:28 AM
https://www.youtube.com/watch?v=5vT6b8ZAisM
Robert Leighton talks about his remarkable long-term relationship with director Rob Reiner and how technology has changed the art of editing. Watch the complete "Making The Cut" video series on http://www.avidblogs.com/makingthecut
Google Docs & Sheets for Premiere & After Effects
February 13, 2018, 08:00 AM
https://www.aotg.com/google-docs-sheets-for-premiere-after-effects/
Gpanel will be one of the best utilities in your creative arsenal. You can open and edit any Google Doc or Google Sheet inside Premiere Pro or After Effects. The best part of Gpanel is that you can edit the documents live right within the panel. Great for Scripts, Script Notes, Storyboards, Transcriptions and To-Do lists. If you are collaborating with a producer on the same document, you’ll see their updates live and real-time. The possibilities are endless with Gpanel!
#adobe#after effects#premiere pro#primal cuts#gpanelWhen a Producer agrees with me
February 12, 2018, 06:06 PM
http://renderplease.com/post/170801319580
VFX Supe Lesley Robson-Foster on Expanding The Mar
February 12, 2018, 12:46 PM
http://www.studiodaily.com/2018/02/vfx-supe-lesley...
The Marvelous Mrs. Maisel, the latest from Gilmore Girls creator Amy Sherman-Palladino, is a period piece about a recently separated New York City housewife who bucks convention to become a stand-up comic. The Golden Globe-winning show stars Rachel Brosnahan but also New York City, where it is shot. This late 1950s-era New York is populated […] The post VFX Supe Lesley Robson-Foster on Expanding The Marvelous Mrs. Maisel’s World appeared first on Studio Daily.
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Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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