It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 5, 2014, 05:47 AM
http://www.pro-tools-expert.com/home-page/2014/3/5...
OK after Part 1 of 10 Things You Should Do Before Sending Your Mix To A Mastering Engineer your mixes are definitely ready, now in part 2. I’ll discuss 5 final things to do that will make for a smooth mastering process with no last minute screw ups and enable you to get the best results and therefore value for your mastering money.
March 5, 2014, 05:47 AM
http://vfxsoldier.wordpress.com/2014/03/04/mpaa-af...
Last year many of you helped crowd fund a legal study done by a Washington DC-based law firm I met two years ago. The goal of the study was to suggest a path for the VFX industry to mitigate the effects of the subsidy race that was putting so many facilities out of business and causing so many jobs to be lost.
March 5, 2014, 05:46 AM
http://www.surfacedstudio.com/tutorials/adobe-effe...
In the last part of my After Effects building destruction tutorial I showed you how to track your footage, create a fake building and add some explosions into your scene to blow it up. In the second part I will show you how to add more destruction effects like debris, smoke and lighting to finish off this cool visual effect!
March 5, 2014, 05:46 AM
http://logic-pro-expert.com/logic-pro-blog/2014/03...
When mixing in Logic Pro X, it’s good practice to monitor you work in progress at different levels. By listening at different volumes, different areas of the frequency spectrum might take on more weight or emphasis than at louder levels, or vice versa.
March 4, 2014, 08:22 PM
http://www.sonicscoop.com/2014/03/04/is-avid-ok-or...
Last week, Avid created a not-surprising wrinkle in the financial world, when the maker of Pro Tools announced that it had – as expected – been de-listed by NASDAQ and banished to the less prestigious OTC (Over The Counter) stock exchanges.
March 4, 2014, 08:22 PM
http://lesterbanks.com/2014/03/change-color-based-...
William Marler shows how you can link the rotation property of one object to the colour of one or more other objects through the use of expression in After Effects.
March 4, 2014, 08:21 PM
http://lesterbanks.com/2014/03/bake-v-ray-dirt-mul...
Andrew Kin Fun Chan shares his python script for baking V-Ray dirt maps for assets that have multiple tiled UVs set for them. The Multi-Tile VRay Dirt Baker creates a shader with the V-Ray dirt texture and assigns that to the selected geometry in the scene.
March 4, 2014, 08:20 PM
http://www.premiumbeat.com/blog/tv-drama-color-gra...
Baselight is a powerful color grading platform used in professional film, commercial and TV work. In this post, we share a workflow for achieving a dramatic color look using Baselight.
March 4, 2014, 01:26 PM
http://nprberlin.de/post/interpreting-film-editor-...
Film editor Saar Klein compares his collaborative work with directors to language interpretation. "It's almost like you are an interpreter, and they speak...
March 4, 2014, 01:26 PM
https://www.aotg.com/davinci-resolve-workshop-promo/
Join us at Manhattan Edit Workshop for our upcoming DaVinci Resolve courses! ICA 101: An Introduction to Colorist Strategies with DaVinci Resolve - April 1-3...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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